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DTSTART;TZID=America/Chicago:20240406T123000
DTEND;TZID=America/Chicago:20240406T140000
DTSTAMP:20260512T082606
CREATED:20240403T195843Z
LAST-MODIFIED:20240404T192206Z
UID:19178-1712406600-1712412000@jennibrandon.com
SUMMARY:Adrienne Burg Performs Love Songs by Jenni Brandon at Rice University\, Houston Texas
DESCRIPTION:  \nLove Songs by Jenni Brandon is performed\, at Rice University Shepherd School of Music\, by Adrienne Burg oboist\, on Saturday\, April 6\, 2024\, at 12:30 pm. Her recital is in the Duncan Recital Hall at Alice Pratt Brown Hall. VIEW LIVESTREAM     Live Streaming in Duncan Recital Hall | The Shepherd School of Music (rice.edu); Goes live: Sat\, April 6\, 2024\, 12:30pm CT. \nThe program is: \nThe program is: \nLove Songs  —Jenni Brandon \n* Lullaby\n* Song of Basket-Weaving\n* Song of the Blue-Corn Dance (Zuni)\n* Love Song (Chippewa)\n* Love Song from the Andes (Inca)\n* My Love has Departed (Chippewa)\n* Lullaby (Reprise)\nKatherine Dobbs\, mezzo-soprano \n Concerto in F Major  — Antonio Vivaldi \n* Allegro\n* Grave\n* Allegro\nGrant Smith\, harpsichord \nINTERMISSION \nHot Spots   —Daniel Dorff:  \n* Sunsplash\n* On the Beach\n* The Bee and the Horseshoe Crab\nTriniti Rives\, clarinet \nCircus  — Andrew Jackman \n* Parade\n* Ringmaster\n* Trapeze\n* Ringmaster\n* Elephants\n* Clowns and Acrobats\n* Ringmaster\n* Bareback Riders\n* Final Parade \nLove Songs for Soprano and Oboe Composer Notes \nJenni chose this collection of texts to tell a story of the Native American woman – a story that she might tell to her child while she rocked the child to sleep. We begin with a lullaby (partially borrowed from a Chippewa lullaby) sung gently to a child\, and then she begins to tell the story of herself. In “Song of Basket-Weaving” she asks the Cedar tree (mother) to prepare her for love\, for bearing children\, and for becoming a woman. In “Song of the Blue-Corn Dance she works with other women to harvest the corn. Falling in love\, she sings a slightly giddy song “Oh I Am Thinking” which evolves into a strong and steadfast song in “Love Song from the Andes.” Then her lover comes to her in “Love Song\,” but it is not too long after that he leaves her for Sault St. Marie in Michigan\, never to return again(I interpret this as death – he’s gone away\, maybe to fight\, or to hunt\, but he will never return to his lover). We assume at this point in the story that the child she sings to is their child\, and she is telling the story of their love. The story ends how it begins\, with the woman back in the present\, continuing to sing a lullaby to her child as life goes on\, without her love by her side. \nIt is a story that can be universally understood\, but points to the strength of not only the Native American woman\, but to the strength of all women to persevere\, to raise children and to keep community strong against all odds. It is a “love song” in that it goes beyond just romantic love\, but tells of love for a child and love of the land. The work may be performed as a whole\, or individual movements may be chosen for a shorter performance. \nThis work was commissioned and premiered by Aryn Day Sweeney\, oboist and Assistant Professor of Music Performance at Ball State University with funding provided by the Indiana Arts Commission in 2014. It was premiered at Ball State University by Aryn Day Sweeney-oboe and Yoko Shimazaki-Kilburn-soprano in March 2014 \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com
URL:https://jennibrandon.com/event/adrienne-burg-performs-love-songs-by-jenni-brandon-at-rice-university-houston-texas/
LOCATION:Rice University Shepherd School of Music Duncan Recital Hall\, Rice University 6100 Main Street Shepherd School of Music - MS 532 Houston\, TX\, Houston\, TX\, 77005-1892\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240406T190000
DTEND;TZID=America/Phoenix:20240406T213000
DTSTAMP:20260512T082606
CREATED:20231020T232153Z
LAST-MODIFIED:20231020T232153Z
UID:18252-1712430000-1712439000@jennibrandon.com
SUMMARY:Fin de la Tierra Clarinet Concerto performed by the Sierra Vista Symphony
DESCRIPTION:Fin de la Tierra: Land’s End Concerto for Clarinet in B-flat and Chamber Orchestra is performed by the Sierra Vista Symphony in Arizona under the direction of Maestro Toru Tagawa (Artistic Director and Conductor) .  Jackie Glazier joins the orchestra as the soloist for this new concerto at the Klein Center for the Performing Arts n Sierra Vista\, Arizona on their spring concert “Be Our Guest”. \nSaturday\, April 6\, 2024\n7-9:30 pm MST \n  \n\nProgram Note\nAt the southern tip of the Baja California peninsula\, in the state of Baja California Sur in Mexico is the famous “El Arco” (the Arch). The granite rock formations not only mark the most southwestern point of Baja\, California\, but also serve as a separation between the Pacific Ocean and the Sea of Cortez (Gulf of California) known as “Fin de la Tierra” or Land’s End. A study in contrast\, this area from El Arco and continuing around the eastern side of Baja into Cabo Pulmo National Park encompasses what Jacques Cousteau once called “the world’s aquarium”. \nIn this 18-minute concerto for Clarinet in B-flat and Chamber Orchestra\, the diverse ecosystem of this area is explored. The clarinet soloist serves as a guide\, taking us on a journey through this UNESCO World Heritage site to observe the beauty and diversity of the landscape\, the water\, the animals that live in and around it\, and their symbiotic relationship that requires a delicate balance of conservation and exploration. The orchestra and the clarinet soloist provide that symbiotic relationship as the ensemble becomes the water\, the rock sentries at Land’s End\, and the many colors of the sea\, underwater life\, and wind and waves that make up the beauty of this seascape. \n\n\n\n  \n\n \nSeahorse \n\n\n  \n\n \nGoatfish \n\n\n  \n\n \nTrumpetfish \n\n\n  \n\n \nLong-Spine Porcupinefish \n\n\n\n\n\nThe clarinet gives us a view from above and below the water\, sometimes with a bird’s eye view of the rock formations\, then dipping below the surface of the Sea to follow the many colorful fish that make this area their home. Some that appear in this work include Sea Horses\, a school of Goat Fish\, Trumpetfish\, and Long-Spined Porcupinefish.  A special part of this concerto is a solo by the clarinet as it tells the story of the Munk’s Devil Ray\, or Mobula Ray. Tens of thousands of these rays gather here in April-June\, breaching the water like popcorn and making a spectacular show unique to this area. This solo will be expanded beyond the concerto version to become a stand-alone solo for Clarinet. \n\n \nMobula Rays \n\nBeyond the exploration of this beautiful area through the colors of the clarinet and orchestra\, this work hopes to bring attention to the importance of conservation of such places in the world that we all may continue to enjoy and protect these areas for generations to come. \nCommissioned by Dr. Jeremy Reynolds for premiere during the 2023 ClarinetFest in Denver\, Colorado. \nThis is a single-movement work with sections: \n\nWhere the Pacific Ocean Meets the Sea of Cortez\nRock Sentries\nThe World’s Aquarium
URL:https://jennibrandon.com/event/fin-de-la-tierra-clarinet-concerto-performed-by-the-sierra-vista-symphony/
LOCATION:The Klein Center for the Performing Arts\, 5225 E Buena School Blvd\, Sierra Vista\, AZ\, 85635\, United States
ATTACH;FMTTYPE=image/jpeg:https://jennibrandon.com/wp-content/uploads/2023/08/Fin-de-la-Tierra-ORCHESTRA-COVER-11x17-_001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240408T193000
DTEND;TZID=America/New_York:20240408T210000
DTSTAMP:20260512T082606
CREATED:20240118T020642Z
LAST-MODIFIED:20240408T120502Z
UID:18708-1712604600-1712610000@jennibrandon.com
SUMMARY:World Premiere of "Dark Sky" at Kutztown University in Pennsylvania
DESCRIPTION:  \nLIVESTREAM LINK: \nWells-Rapp Center for Mallet Percussion Research – YouTube \n6:45 EDT Pre-Concert Talk\n7:30 EDT pm Concert \nScroll down to read the poem “The Stars Beyond the Stars” by Brandon Krieg\ncommissioned by Jenni to set in Dark Sky. \n \nDeath Valley Symphony: Dark Sky\nMusic by Jenni Brandon\nPoem by Brandon Krieg \n  \nWorld Premieres at Kutztown University\, Pennsylvania with Heartland Marimba\, Kutztown University Percussion Ensemble\, Kutztown University Choirs\nApril 8\, 2024: Wells-Rapp Center for Mallet Percussion Research\nApril 9\, 2024: Georgian Room\, Old Main Building\, Kutztown University \nFor Tickets and LIVESTREAM information\, visit Wells-Rapp Center for Mallet Percussion Research – Resonators Echo Spring Festival (kucmpr.org) \nDark Sky – a new work by California composer Jenni Brandon for Marimba Quartet\, Percussion Ensemble\, SATB choir and Piano explores the beauty of Death Valley National Park’s pristine dark skies using original poetry by Brandon Krieg\, Kutztown University Professor of English and Poetry. Part of a concert-length work\, this movement “Dark Sky” is a collaboration between Heartland Marimba Quartet\, Kutztown University Percussion Ensemble\, Kutztown University Choirs\, with immersive video created for the performances by KU professor Dale Parsons. \nWith some of the darkest night skies in the United States\, Death Valley is designated as a “Dark Sky Park” and offers a view of celestial objects often not visible in any other part of the world. Using the colors of the ensemble\, this work will take the audience on a journey through the world’s hottest place on Earth illuminated by the light of stars to see the parks many animals\, badlands\, sand dunes\, multi-hued hills and craters illuminated by the light of the night sky\, and to look beyond into the vast universe. \nPremieres during the 2023-2024 season include two performances at Kutztown University in Pennsylvania to celebrate the inaugural year of the Wells-Rapp Center for Mallet Percussion Research at Kutztown University. \nHeartland Marimba will also perform two additional movements from Death Valley Symphony:\n1. Badwater Basin for Marimba Quartet\n2. Clay Pipes and Spiral Shells for two marimbas and narrator (U.S. Premiere) \nAdditional movements of this work are commissioned and premiered by Heartland Marimba Quartet and Duo Lin-Lynn. The work “Clay Pipes and Spiral Shells” for marimba duo with narrator (with poetry by Brandon Krieg) will appear on Duo Lin-Lynn’s upcoming album release in 2024. \n\nThe Stars Beyond the Stars  \nPoem by Brandon Krieg  \n  \nGo to the lowest place with me  \nI invite you lower  \nAll ways will pass through if we go lower  \nall the lightnings we can bear  \nwill write themselves on a floor of salt   \nfanning outward into wing-vein patterns\,   \ninto the vein patterns in the transparent delicate skin  \nof ears that flicker at footfalls\,  \nand we will feel the forkings of our blood  \nat the ankle and at the wrist  \n  \nHere Ocean the source of all blood was   \nbefore us\, and couldn’t wait  \nlike all things riding the blue fire down can’t wait  \nand got up and walked off  \nin blackfly and woodrat and wind  \n  \nCome down from the incandescent sick thrones\,   \nYou have hidden so long under the small lights  \nCome down under the big lights now and unhide   \nSee what you thought your self was   \nfrom the numberless points of night  \nWith the tips of the spiny saltbush   \nwith the tips of the creosote   \ndisguised in its wind-caked salts as constant lightning  \nlet us receive  \nthe stars beyond the stars  \n  \nBeyond is all through us now pouring forth  \nBeyond is all through us now pouring  \nCome down where numbers dissolve   \nRelax your face clenched from its ledgers  \nThe salt flat spider’s web is a mirror   \nheld up to sky’s mirror  \ndimensioning this one great room  \nthat flows around the salamander’s pulse   \nthis room whose walls are sweltering waves  \nof liquid dolomite rising up   \nrippling around the pool where the kit fox drinks  \n  \nThere are no father tongues  \nthere are feather tongues that taste air  \nHear hummingbird’s wings tasting air   \nand become deliciously plural   \nand feel in your pulse all the pulses  \nthat will ramify the salt beneath your feet  \nThe sky is a membrane vascular with light   \nLet us take transfusion the old way   \nthe way water wicks from thistle’s involucre   \nthrough the veins in a swallowtail’s wing  \nthe way Adrienne and Adrianne sang  \n  \nWhat are these close dark spirals   \nrhyming the far light spirals\,   \nmaking eddies where time spools out of itself?  \nIt is bats bearing up our blood   \nlifted into their milk by mosquitoes   \nthey carry to the mouths of the measureless   \n  \nDown here embodiment is breaking  \nThe bone core is grinding its gears down  \nCome effervesce with me  \nlet the rivers of the earth wick their way   \nthrough our bodies back to shimmering overall   \nand drop back again to new forms  \n  \nTo whatever larger is   \nTo whatever listening is   \nthrough the I’s dissolves   \nTo whatever larger is listening  \nthrough the I gone plural   \nthe I gone hurting its plural hurts  \nthrough fathomless spirals  \ntraceries in sand  \nwind writes and revises  \nHere is a thread  \nof sicklight vibrating  \nlike a wave-wall of liquid granite rising vibrating  \nlike a tuning fork struck  \nby pulse’s lightning  \nLet us reside in resonance  \nto honor all becomings  \nto honor is to laugh with creosote   \nat its trick of constant lightning   \n  \nlightning is lightning   \nbecause it vanishes  \n  \n“THE STARS BEYOND THE STARS” © 2023 Brandon Krieg. Used with permission. For more poems by Brandon Krieg visit www.brandonkrieg.com  \n 
URL:https://jennibrandon.com/event/world-premiere-of-dark-sky-at-kutztown-university-in-pennsylvania/
LOCATION:Wells-Rapp Center for Mallet Percussion Research\, Kutztown\, PA\, United States
ATTACH;FMTTYPE=image/jpeg:https://jennibrandon.com/wp-content/uploads/2024/01/Dark-Sky-promotion-big-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20240409T190000
DTEND;TZID=America/Denver:20240409T213000
DTSTAMP:20260512T082607
CREATED:20240326T215922Z
LAST-MODIFIED:20240326T215922Z
UID:19105-1712689200-1712698200@jennibrandon.com
SUMMARY:The Santa Fe Symphony\, at Meow Wolfe\, Performs Jenni Brandon’s The Sequoia Trio
DESCRIPTION:Jenni Brandon’s The Sequoia Trio is performed at Meow Wolfe on Tuesday\, April 9\, 2024. The doors open at 5:30 P.M and the concert begins at 7:00 P.M. in the House of Eternal Return 1352 Rufina Cir\, Santa Fe\, NM 87507 \nThe first Santa Fe Symphony Strata concert of The Symphony’s 40th Anniversary Season is taking you to Meow Wolf’s Fancy Town with fascinating works by diverse composers performed by The Santa Fe Symphony Wind Quartet: Laura Dwyer\, Flute; Elaine Heltman\, Oboe; Lori Lovato\, Clarinet; and Stefanie Przybylska\, Bassoon. The program is: \nKARL EDUARD GOEPFART\nWind Quartet\, op.93 \nJENNI BRANDON\nThe Sequoia Trio \nJACQUES IBERT\nDeux Mouvements for Wind Quartet \nINTERMISSION \nCLAUDE DEBUSSY\nSyrinx for Solo Flute \nMALCOLM ARNOLD\nDivertimento for Flute\, Oboe\, and Clarinet \nEUGÈNE BOZZA\nTrois pieces pour musique de la nuit \nALYSSA MORRIS\nMotion for Wind Quartet \nMeow Wolf is a social impact art project that fuels a business\, and a business that fuels a social impact art project. The Meow Wolf Foundation is dedicated to the promotion\, preservation\, and advancement of various forms of art and culture. Meow Wolfe has four locations\, New Mexico\, Colorado\, Nevada\, and Texas. The Meow Wolf Foundation strives to support and honor artists\, cultural-bearers\, and the uniqueness of place\, exploring the ways that art and creativity help our communities thrive. \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com
URL:https://jennibrandon.com/event/the-santa-fe-symphony-at-meow-wolfe-performs-jenni-brandons-the-sequoia-trio/
LOCATION:Meow Wolf\, House of Eternal Return\, 1352 Rufina Cir\,\, Santa Fe\, NM\, 87507\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240409T193000
DTEND;TZID=America/New_York:20240409T210000
DTSTAMP:20260512T082607
CREATED:20240118T021135Z
LAST-MODIFIED:20240325T184527Z
UID:18712-1712691000-1712696400@jennibrandon.com
SUMMARY:World Premiere of "Dark Sky" at Kutztown University in Pennsylvania
DESCRIPTION:Death Valley Symphony: Dark Sky\nMusic by Jenni Brandon\nPoem by Brandon Krieg \n  \nWorld Premieres at Kutztown University\, Pennsylvania with Heartland Marimba\, Kutztown University Percussion Ensemble\, Kutztown University Choirs\nApril 8\, 2024: Wells-Rapp Center for Mallet Percussion Research\nApril 9\, 2024: Georgian Room\, Old Main Building\, Kutztown University \nFor Tickets and LIVESTREAM information\, visit Wells-Rapp Center for Mallet Percussion Research – Resonators Echo Spring Festival (kucmpr.org) \nDark Sky – a new work by California composer Jenni Brandon for Marimba Quartet\, Percussion Ensemble\, SATB choir and Piano explores the beauty of Death Valley National Park’s pristine dark skies using original poetry by Brandon Krieg\, Kutztown University Professor of English and Poetry. Part of a concert-length work\, this movement “Dark Sky” is a collaboration between Heartland Marimba Quartet\, Kutztown University Percussion Ensemble\, Kutztown University Choirs\, with immersive video created for the performances by KU professor Dale Parsons. \nWith some of the darkest night skies in the United States\, Death Valley is designated as a “Dark Sky Park” and offers a view of celestial objects often not visible in any other part of the world. Using the colors of the ensemble\, this work will take the audience on a journey through the world’s hottest place on Earth illuminated by the light of stars to see the parks many animals\, badlands\, sand dunes\, multi-hued hills and craters illuminated by the light of the night sky\, and to look beyond into the vast universe. \nPremieres during the 2023-2024 season include two performances at Kutztown University in Pennsylvania to celebrate the inaugural year of the Wells-Rapp Center for Mallet Percussion Research at Kutztown University. \nAdditional movements of this work are commissioned and premiered by Heartland Marimba Quartet and Duo Lin-Lynn. The work “Clay Pipes and Spiral Shells” for marimba duo with narrator (with poetry by Brandon Krieg) will appear on Duo Lin-Lynn’s upcoming album release in 2024.
URL:https://jennibrandon.com/event/18712/
LOCATION:Schaeffer Auditorium\, Kutztown University\, 15229 Kutztown Rd.\, Kutztown\, 19530\, United States
ATTACH;FMTTYPE=image/jpeg:https://jennibrandon.com/wp-content/uploads/2024/01/Dark-Sky-promotion-big-poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240411T190000
DTEND;TZID=America/Chicago:20240411T213000
DTSTAMP:20260512T082607
CREATED:20240417T195535Z
LAST-MODIFIED:20240417T195535Z
UID:19221-1712862000-1712871000@jennibrandon.com
SUMMARY:An Orange Tree by Jenni Brandon Was Performed At Central Michigan University During the SAI Small Ensemble Competition
DESCRIPTION:An Orange Tree by Jenni Brandon was performed at the Central Michigan University during the Sigma Alpha Iota\, Eta Xi Chapter Small Ensemble Competition. The performance occurred at 7:00 P.M. on April 11\, 2024\, in the Chamichian Recital Hall. The performers were Maleia Thompson\, bassoon and Kathleen Muehring\, contrabassoon. The judges were Dr Christopher Chapman and Professor Tracey Watson. \nThe program was: \n \nProgram notes for An Orange Tree are: \nAn Orange Tree for bassoon and contrabassoon is inspired by the poem “Hay un naranjo ahí” by Alfonso Quijada Urías and its translation “There’s an Orange Tree Out There” by Darwin J. Flakoll.  There is hope in this work as it explores and honors a story of remembrance\, of the immigrant experience\, and the ability to start a new life in a new land. Using the unique colors of the bassoon and contrabassoon\, there is a conversation between these two instruments as they explore how an orange tree “out there\, behind that old\, abandoned garden wall” reminds us of an orange tree planted in a distant land before coming to this new place. \nThe ranges of both instruments are explored in this working\, using the power of the contrabassoon’s low range and the beauty of the bassoon’s upper range to showcase these instruments’ dynamic colors.  The opening line of the work represents the theme of the orange tree and returns throughout the work as a reminder of the orange tree planted in a different land and time. Within the work the instruments often change places\, with the contrabassoon moving higher than the bassoon’s line\, showcasing the abilities of not only the instruments but the performers for which the work was written.  The instruments dance and weave\, at times passing fast double-tongued lines back and forth\, while at other times playing legato lines of remembrance. \nThe contrabassoon has a featured solo section in the work representing the line “so beautiful it makes us remember that orange tree we planted in our earth.” The low\, resonant line from the Contrabassoon represents the earth and the memories it carries with it.  As the line rises\, the bassoon joins again\, creating a spacious\, and at times\, meditative state of reverence and memory. \nThis work was commissioned by Leigh Muñoz and Lia Uribe of Contra+Bassoon. \nPremiered during the International Double Reed Society 2nd Virtual Symposium: https://www.idrs.org/events/an-orange-tree-a-new-work-for-contrabassoon-2/ \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com
URL:https://jennibrandon.com/event/an-orange-tree-by-jenni-brandon-was-performed-at-central-michigan-university-during-the-sai-small-ensemble-competition/
LOCATION:Central Michigan University\, School of Music\, 1200 S. Franklin St\, Mount Pleasant\, MI\, 48859\, United States
ORGANIZER;CN="Sigma Alpha Iota Eta Xi Chapter":MAILTO:cole2mm@cmich.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240413T110000
DTEND;TZID=America/New_York:20240413T120000
DTSTAMP:20260512T082607
CREATED:20240331T195935Z
LAST-MODIFIED:20240331T195935Z
UID:19150-1713006000-1713009600@jennibrandon.com
SUMMARY:The Dreams of Birds by Jenni Brandon\, Performed by Alicia Kosack At The Low Flutes Festival
DESCRIPTION:The Dreams of Birds\, by Jenni Brandon performed by Alicia Kosack at the Low Flutes Festival on Saturday\, April 13\, 2024 at the Hilton Washington Dulles\, 13869 Park Center Rd\, Herndon\, VA 20171\, telephone (703) 478-2900. You Tube link: International Low Flutes Festival – YouTube. The program is: \nAlto Solos with Sam Williams & Alicia Kosack \nSaturday\, April 13th \n11-11:45am \nSonata for Viola & Piano – arranged for alto flute      Rebecca Clarke (1886-1979) arr. Sam Williams \n\nImpetuoso\nVivace\nAdagio\n\nSam Williams\, alto flute \nBora Lee\, piano \nThe St. Francis Window\, Op. 67 – for alto flute & piano        Ruth Gipps (1921-1999) \nGershwin-its – for solo alto flute         Adrienne Albert (b. 1941) \nThe Dreams of Birds – for alto flute & piano  Jenni Brandon (b. 1977) \nAlicia Kosack\, alto flute \nBora Lee\, piano \nSee the Festival Schedule \nThe Dreams of Birds explores the world of what birds might dream. Would they dream of running\, of flying to the sun? Would they dream of being human? I wanted to explore the possibility of bird dreams while continuing to be evocative of a bird with bird-like songs in the alto flute. The little turns and grace notes as well as the flutter tongue played by the alto flute offer the listener the voice of the bird. The piano\, both supportive and\, at times\, grand\, helps give flight to these dreams of birds. \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com
URL:https://jennibrandon.com/event/the-dreams-of-birds-by-jenni-brandon-performed-by-alicia-kosack-at-the-low-flutes-festival/
LOCATION:Hilton Washington Dulles\,\, 13869 Park Center Rd\, Herndon\, VA 20171\, VA\, 20171\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240414T130000
DTEND;TZID=America/Chicago:20240414T150000
DTSTAMP:20260512T082607
CREATED:20240418T184443Z
LAST-MODIFIED:20240418T184443Z
UID:19236-1713099600-1713106800@jennibrandon.com
SUMMARY:Wooden Stone\, by Jenni Brandon\, Performed in Concert by Across the Grain Duo
DESCRIPTION:Wooden Stone\, by Jenni Brandon\, performed in concert by Across the Grain Duo at 1:00 P.M. on Sunday April 14\, 2024.  Susan Nelson\, bassoon and Colin McCall\, percussion perform in Harper Hall\, Lawerence University\, 420 E. College Avenue\, Appleton\, WI\, United States\, Wisconsin\, (920) 832-6614. This was a live stream performance at https://livestream.com/lawrenceuniversity. This event was sponsored by Lawrence University – Conservatory of Music and Lawrence University Lawrence Memorial Chapel \nThe program was: \nGet It! (2011) [4’] Gene Koshinski  (b. 1980) \nSusan Nelson\, bassoon \nColin McCall\, percussion \n Not Yet (2019) [11’] David Bixler   (b. 1964) \nSusan Nelson\, bassoon \nColin McCall\, marimba \n Texas Hoedown (2005) [7’] David Friedman  (b. 1944) \nColin McCall\, vibraphone \n Nocturne for bassoon and marimba (2021) [6’] Connor Chee  (b. 1987) \nSusan Nelson\, bassoon \nColin McCall\, marimba \n\nINTERMISSION •\n\n Triple Moon (2020) [8’] Nathan Daughtrey  (b. 1975) \nSusan Nelson\, bassoon \nColin McCall\, marimba \n Dual Identity for solo bassoon (2005) [4’] Gernot Wolfgang  (b. 1957) \nSusan Nelson\, bassoon \n Wooden Stone (2020) [15’] Jenni Brandon  (b. 1977) \nSusan Nelson\, bassoon \nColin McCall\, percussion \n All of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com \nProgram notes for Wooden Stone: \nWooden Stone for Bassoon and Percussion is inspired by the poem “Wooden Stone” by Karla Linn Merrifield. This work explores petrified wood\, or the fossilized wood where the living parts of the tree are replaced by a mineralization process that turns the wood into stone. It maintains the original shape of the organic material\, now hardened\, and its transformation takes place underground once the wood has become submerged in volcanic ash or water. Using the colors of both wooden instruments and metals\, this work follows the story of a tree turned to petrified wood\, and its ancient journey of transformation.  Within the work you’ll hear the colors of wooden windchimes\, representing the trees\, the tom-toms and surdo representing the father as a rock of the old gneiss tribe (gneiss is a type of rock that has a banded texture on it). There is much freedom throughout the work to create the colors of transformation. From multiphonic sounds in the bassoon representing the line “You were born of substances primordial\, creature of green and brown and gray\,” to the lullaby of the “blessed midwife who now witnesses another rebirth”\, this work is the story of the passage of time preserved in the beauty of transformation. \nThe poet Karla Linn Merrifield references the Columbia River Shores\, and in Washington where the river runs is the Ginkgo Petrified Forest State Park/Wanapum Recreation Area. The discovery of petrified wood in this region includes petrified trees such as ginkgo\, Dougla-fir\, spruce\, elm and others that had been covered in volcanic ash and became petrified wood.\, \nCommissioned by Across the Grain Duo (Susan Nelson\, bassoon and Jeff Barudin\, percussion) it was premiered in Spring of 2023 with Colin McCall on percussion and will appear on their upcoming album in 2024.
URL:https://jennibrandon.com/event/wooden-stone-by-jenni-brandon-performed-in-concert-by-across-the-grain-duo/
LOCATION:lawrence university\, Appleton\, Wisconsin
ORGANIZER;CN="Lawrence University - Conservatory of Music":MAILTO:conservatory@lawrence.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240414T140000
DTEND;TZID=America/Chicago:20240414T160000
DTSTAMP:20260512T082607
CREATED:20240425T012724Z
LAST-MODIFIED:20240425T012724Z
UID:19300-1713103200-1713110400@jennibrandon.com
SUMMARY:Chanson de la Nature by Jenni Brandon Performed by Timothy Bonenfant at The San Angelo Chamber Music Series
DESCRIPTION:  \nChanson de la Nature by Jenni Brandon Performed by Timothy Bonenfant at The San Angelo Chamber Music Series at the San Angelo Museum of Fine Art\, 1 Love Street\, San Angelo\, TX 76903 (325) 653-3333.The performance titled Angelo State University (ASU) Faculty and Friends was on April 14\, 2024\, at 2:00 P.M. \nThe San Angelo Chamber Music Series features concerts by outstanding musicians from across Texas and the United States. They regularly draw patrons from every segment of the community with both traditional chamber musicians and more broadly based contemporary or ethnic music groups. \nProgram for April 14\, 2024 \n \nProgram notes for Chansons de la Nature pour la Clarinette. \nChansons de la Nature pour la Clarinette tells a story about nature as told by the clarinet’s agile voice. The French titles and basis of the pieces were inspired by the lyrical and pastoral quality of the French language and the images it invokes. The piece is also inspired by the images presented in Aesop’s fables (and Jean de la Fontain’s retelling of them); in particular\, the movement “Le Lièvre et la Tortue” tells of the slow tortoise beating the fast hare with his patience and determination. Both creatures are represented in this movement\, from the plodding of the tortoise to the quick movements of the hare. \nThe other movements also represent a variety of characters and situations from these famous fables. “Le Poisson” darts\, “Le Papillon” flutters and floats\, “L’étoile” shimmers in the night sky\, nature ‘dances’\, and “Le Serpent” is slippery and quick.  Each movement is short\, but just long enough to evoke a story and create a ‘song of nature’ for the clarinet. \n\nLes Oiseaux\nII. Le Poisson\nIII. Le Papillon\nIV. Le Lièvre et La Tortue\nV. L’Etoile\nVI. Dansez!\nVII. Le Serpent\n\nThis work appears on Jenni’s CD SONGS OF CALIFORNIA: MUSIC FOR WINDS AND PIANO \nThis work was required repertoire for the 2020-2021 International Clarinetist Corona Competition – Classical Category \nPerformance by Carrie RavenStem of Chansons de la Nature pour la Clarinette during the 2020 Woodwind Fest \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com \nProgram notes Chansons de la Nature pour la Clarinette. \nChansons de la Nature pour la Clarinette tells a story about nature as told by the clarinet’s agile voice. The French titles and basis of the pieces were inspired by the lyrical and pastoral quality of the French language and the images it invokes. The piece is also inspired by the images presented in Aesop’s fables (and Jean de la Fontain’s retelling of them); in particular\, the movement “Le Lièvre et la Tortue” tells of the slow tortoise beating the fast hare with his patience and determination. Both creatures are represented in this movement\, from the plodding of the tortoise to the quick movements of the hare. \nThe other movements also represent a variety of characters and situations from these famous fables. “Le Poisson” darts\, “Le Papillon” flutters and floats\, “L’étoile” shimmers in the night sky\, nature ‘dances’\, and “Le Serpent” is slippery and quick.  Each movement is short\, but just long enough to evoke a story and create a ‘song of nature’ for the clarinet. \n\nLes Oiseaux\nII. Le Poisson\nIII. Le Papillon\nIV. Le Lièvre et La Tortue\nV. L’Etoile\nVI. Dansez!\nVII. Le Serpent\n\nThis work appears on Jenni’s CD SONGS OF CALIFORNIA: MUSIC FOR WINDS AND PIANO \nThis work was required repertoire for the 2020-2021 International Clarinetist Corona Competition – Classical Category \nPerformance by Carrie RavenStem of Chansons de la Nature pour la Clarinette during the 2020 Woodwind Fest \n  \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com \n 
URL:https://jennibrandon.com/event/chanson-de-la-nature-by-jenni-brandon-performed-by-timothy-bonenfant-at-the-san-angelo-chamber-music-series/
LOCATION:San Angelo Museum of Fine Art\,\, 1 Love Street\, San Angelo\, TX\, 76903\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240421T200000
DTEND;TZID=America/New_York:20240421T210000
DTSTAMP:20260512T082607
CREATED:20240423T181801Z
LAST-MODIFIED:20240423T181801Z
UID:19265-1713729600-1713733200@jennibrandon.com
SUMMARY:Jenni Brandon’s Colored Stones Performed by Andrew Coram at The Appalachian State University
DESCRIPTION:Andrew Coram performed Colored Stones by Jenni Brandon on Sunday\, April 21\, 2024 from 8:00 P.M. to 9:00 P.M. at the Appalachian State University\, Hayes School of Music\, Broyhill Music Center\, Rosen Concert Hall\, 813 Rivers Street\, Boone\, NC 28608\, Phone: 828-262-3020. \nThe program was: \nBassoon Concerto in B-flat Major by Wolfgang Amadeus Mozart \n\nAllegro (1756-1791)\nAndante ma Adagio\nRondo: tempo di menuetto\n\nColored Stones by Jenni Brandon \n\nSmoky Quartz (b. 1977)\nLapis Lazuli\nTigers Eye\n\nBlue Set No. 2 for Bassoon Quartet by Peter Schickele \n\nBassooner or Later (1935-2024)\n\n  \nOwen Marcellino\, bassoon \nEmily Davis\, bassoon \nAbigail Turner\, bassoon \nProgram Notes: \nColored Stones for solo bassoon tells the story of three stones: smoky quartz\, lapis lazuli\, and tiger’s eye. Some cultures and spiritual practices believe these stones have powerful qualities such as the ability to heal\, protect\, and offer spiritual guidance. The bassoon explores these beautiful stones’ unique qualities. \nIt is an honor to be chosen as the winner of the 2014 Bassoon Chamber Music Composition Competition and to have this work premiered by Susan Nelson. \nColored Stones – solo bassoon (sheet music). \nSmoky Quartz – An incredibly grounding stone\, this smoky brown stone transforms and diffuses negative energy. The bassoon changes from a sense of grounding to playfulness\, exploring this balance of energy. In the end\, it always finds its way back to telling the story of the grounding quality of the stone. \nLapis Lazuli – Prized for its colors\, this deep blue stone was used by kings and queens in paintings and ceremonial robes. Believed to help foster truthful expression and communication\, it supports the immune system and brings peace. The bassoon explores the luxurious blue color\, mixing in flashes of gold found in the stone. \nTiger’s Eye – Tiger’s eye\, a golden brown to deep red stone\, is very grounding and can bring luck and ward off evil. The bassoon is sometimes “protective and seeing\,” moving quickly to remove the look of the “evil eye” and other times moving dreamily through an ancient landscape of protective energy. \n  \nAll of Jenni’s compositions are available for purchase on her website Home – Jenni Brandon https://www.jennibrandon.com
URL:https://jennibrandon.com/event/jenni-brandons-colored-stones-performed-by-andrew-coram-at-the-appalachian-state-university/
LOCATION:Appalachian State University\, Hayes School of Music\, 813 Rivers Street\, Boone\, NC\, 28608\, United States
ORGANIZER;CN="Appalachian State University%2C Hayes School of Music":MAILTO:music@appstate.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240427T193000
DTEND;TZID=America/New_York:20240427T213000
DTSTAMP:20260512T082607
CREATED:20230831T221130Z
LAST-MODIFIED:20240417T211137Z
UID:17967-1714246200-1714253400@jennibrandon.com
SUMMARY:Fin de la Tierra Clarinet Concerto performed by the Ocala Symphony Orchestra
DESCRIPTION:Fin de la Tierra: Land’s End Concerto for Clarinet in B-flat and Chamber Orchestra is performed by the Ocala Symphony Orchestra under the direction of Matthew Wardell (Music Director & Conductor).  Jackie Glazier joins the orchestra as the soloist for this new concerto at the Reilly Arts Center in Ocala\, Florida on the season finale titled “To the End of the Earth”. \nTo the End of the Earth | Reilly Arts Center\nApril 27\, 224 7:30 pm EDT\nApril 28\, 2024 – 3pm EDT \nFrom the Ocala Symphony Orchestra:\nMaestro Wardell leads your Ocala Symphony Orchestra in a season finale of awe-inspiring works. Experience the pulsing rhythms of John Adams’ Short Ride in a Fast Machine and the world premiere of Jenni Brandon’s Fin de la Tierra featuring guest soloist Jackie Glazier. The season concludes with three scenes from Tchaikovsky’s Manfred Symphony – a piece he noted was “absorbing all my time\, sometimes to utter exhaustion\, but an inner voice tells me that my labor is not in vain” – you will be left breathless! \n\nProgram Note\nAt the southern tip of the Baja California peninsula\, in the state of Baja California Sur in Mexico is the famous “El Arco” (the Arch). The granite rock formations not only mark the most southwestern point of Baja\, California\, but also serve as a separation between the Pacific Ocean and the Sea of Cortez (Gulf of California) known as “Fin de la Tierra” or Land’s End. A study in contrast\, this area from El Arco and continuing around the eastern side of Baja into Cabo Pulmo National Park encompasses what Jacques Cousteau once called “the world’s aquarium”. \nIn this 18-minute concerto for Clarinet in B-flat and Chamber Orchestra\, the diverse ecosystem of this area is explored. The clarinet soloist serves as a guide\, taking us on a journey through this UNESCO World Heritage site to observe the beauty and diversity of the landscape\, the water\, the animals that live in and around it\, and their symbiotic relationship that requires a delicate balance of conservation and exploration. The orchestra and the clarinet soloist provide that symbiotic relationship as the ensemble becomes the water\, the rock sentries at Land’s End\, and the many colors of the sea\, underwater life\, and wind and waves that make up the beauty of this seascape. \n\n\n\n  \n\n \nSeahorse \n\n\n  \n\n \nGoatfish \n\n\n  \n\n \nTrumpetfish \n\n\n  \n\n \nLong-Spine Porcupinefish \n\n\n\n\n\nThe clarinet gives us a view from above and below the water\, sometimes with a bird’s eye view of the rock formations\, then dipping below the surface of the Sea to follow the many colorful fish that make this area their home. Some that appear in this work include Sea Horses\, a school of Goat Fish\, Trumpetfish\, and Long-Spined Porcupinefish.  A special part of this concerto is a solo by the clarinet as it tells the story of the Munk’s Devil Ray\, or Mobula Ray. Tens of thousands of these rays gather here in April-June\, breaching the water like popcorn and making a spectacular show unique to this area. This solo will be expanded beyond the concerto version to become a stand-alone solo for Clarinet. \n\n \nMobula Rays \n\nBeyond the exploration of this beautiful area through the colors of the clarinet and orchestra\, this work hopes to bring attention to the importance of conservation of such places in the world that we all may continue to enjoy and protect these areas for generations to come. \nCommissioned by Dr. Jeremy Reynolds for premiere during the 2023 ClarinetFest in Denver\, Colorado. \nThis is a single-movement work with sections: \n\nWhere the Pacific Ocean Meets the Sea of Cortez\nRock Sentries\nThe World’s Aquarium
URL:https://jennibrandon.com/event/fin-de-la-tierra-clarinet-concerto-performed-by-the-ocala-symphony-orchestra/
LOCATION:Reilly Arts Center\, 500 NE 9th Street\, Ocala\, FL\, 34470\, United States
ATTACH;FMTTYPE=image/jpeg:https://jennibrandon.com/wp-content/uploads/2023/08/Fin-de-la-Tierra-ORCHESTRA-COVER-11x17-_001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240428T150000
DTEND;TZID=America/New_York:20240428T170000
DTSTAMP:20260512T082607
CREATED:20230831T221553Z
LAST-MODIFIED:20230831T221553Z
UID:17970-1714316400-1714323600@jennibrandon.com
SUMMARY:Fin de la Tierra Concerto performed by the Ocala Symphony Orchestra
DESCRIPTION:Fin de la Tierra: Land’s End Concerto for Clarinet in B-flat and Chamber Orchestra is performed by the Ocala Symphony Orchestra under the direction of Matthew Wardell (Music Director & Conductor).  Jackie Glazier joins the orchestra as the soloist for this new concerto at the Reilly Arts Center in Ocala\, Florida on the season finale titled “To the End of the Earth”. \nTo the End of the Earth | Reilly Arts Center\nApril 27\, 224 7:30 pm EDT\nApril 28\, 2024 – 3pm EDT \nFrom the Ocala Symphony Orchestra:\nMaestro Wardell leads your Ocala Symphony Orchestra in a season finale of awe-inspiring works. Experience the pulsing rhythms of John Adams’ Short Ride in a Fast Machine and the world premiere of Jenni Brandon’s Fin de la Tierra featuring guest soloist Jackie Glazier. The season concludes with three scenes from Tchaikovsky’s Manfred Symphony – a piece he noted was “absorbing all my time\, sometimes to utter exhaustion\, but an inner voice tells me that my labor is not in vain” – you will be left breathless! \n  \n\nProgram Note\nAt the southern tip of the Baja California peninsula\, in the state of Baja California Sur in Mexico is the famous “El Arco” (the Arch). The granite rock formations not only mark the most southwestern point of Baja\, California\, but also serve as a separation between the Pacific Ocean and the Sea of Cortez (Gulf of California) known as “Fin de la Tierra” or Land’s End. A study in contrast\, this area from El Arco and continuing around the eastern side of Baja into Cabo Pulmo National Park encompasses what Jacques Cousteau once called “the world’s aquarium”. \nIn this 18-minute concerto for Clarinet in B-flat and Chamber Orchestra\, the diverse ecosystem of this area is explored. The clarinet soloist serves as a guide\, taking us on a journey through this UNESCO World Heritage site to observe the beauty and diversity of the landscape\, the water\, the animals that live in and around it\, and their symbiotic relationship that requires a delicate balance of conservation and exploration. The orchestra and the clarinet soloist provide that symbiotic relationship as the ensemble becomes the water\, the rock sentries at Land’s End\, and the many colors of the sea\, underwater life\, and wind and waves that make up the beauty of this seascape. \n\n\n\n  \n\n \nSeahorse \n\n\n  \n\n \nGoatfish \n\n\n  \n\n \nTrumpetfish \n\n\n  \n\n \nLong-Spine Porcupinefish \n\n\n\n\n\nThe clarinet gives us a view from above and below the water\, sometimes with a bird’s eye view of the rock formations\, then dipping below the surface of the Sea to follow the many colorful fish that make this area their home. Some that appear in this work include Sea Horses\, a school of Goat Fish\, Trumpetfish\, and Long-Spined Porcupinefish.  A special part of this concerto is a solo by the clarinet as it tells the story of the Munk’s Devil Ray\, or Mobula Ray. Tens of thousands of these rays gather here in April-June\, breaching the water like popcorn and making a spectacular show unique to this area. This solo will be expanded beyond the concerto version to become a stand-alone solo for Clarinet. \n\n \nMobula Rays \n\nBeyond the exploration of this beautiful area through the colors of the clarinet and orchestra\, this work hopes to bring attention to the importance of conservation of such places in the world that we all may continue to enjoy and protect these areas for generations to come. \nCommissioned by Dr. Jeremy Reynolds for premiere during the 2023 ClarinetFest in Denver\, Colorado. \nThis is a single-movement work with sections: \n\nWhere the Pacific Ocean Meets the Sea of Cortez\nRock Sentries\nThe World’s Aquarium
URL:https://jennibrandon.com/event/fin-de-la-tierra-concerto-performed-by-the-ocala-symphony-orchestra/
LOCATION:Reilly Arts Center\, 500 NE 9th Street\, Ocala\, FL\, 34470\, United States
ATTACH;FMTTYPE=image/jpeg:https://jennibrandon.com/wp-content/uploads/2023/08/Fin-de-la-Tierra-ORCHESTRA-COVER-11x17-_001.jpg
END:VEVENT
END:VCALENDAR