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DTSTART;TZID=America/Los_Angeles:20260206T190000
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DTSTAMP:20260428T022642
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SUMMARY:Orion Concerto performance at Troy University\, Alabama
DESCRIPTION:The Orion Concerto for Oboe and Bassoon with Wind Symphony is performed by the Troy University Symphony Band with soloists Jillian Camwell\, oboe and Kristina Nelson\, Bassoon.  This work is part of   the Southeastern United States Honor Bands & Clinics weekend at Troy University in Alabama. \nWhen: Friday\, February 6\, 2026\nWhere: Crosby Theatre\, Troy University\, Alabama\nTime: 7pm CST \nMore about The Orion Concerto \nThis piece tells the story of our Galaxy\, of the great unknown and what lies beyond\, and where we belong within this vastness of space.  The soloists and the ensemble paint a picture of this great mystery of the universe\, taking us on a journey through the Spiral Galaxy and the Milky Way.  Being pulled toward the Supermassive Black hole\, the djembe lends a rhythmic background of mystery to this journey.  We then travel to the place where stars are born in “The Orion Nebula\,” quoting Carl Sagen from his book Cosmos that\, “we are made of star-stuff.”  Finally\, we begin to leave the orion nebula to continue our journey again through the spiral galaxy\, exploring the vastness of space as thematic material returns to carry us on this ever-continuing journey of exploration. \nOriginally premiered as Double Concerto for Oboe and Bassoon with Wind Symphony\, the Orion Concerto is a shortened version of this work.  It was arranged at the request of Jonathan Hinkle\, Director of Bands at Colorado Mesa University in Grand Junction\, Colorado for performance during the Colorado Music Educators Association conference in January 2023. The original version Double Concerto was written for Scott Pool – bassoon\, and it was an honor to have him and Rogene Russell on oboe premiere it at the University of Texas at Arlington Wind Symphony under the direction of Doug Stotter in February 2013.  The European premiere of this work was given by the Banda Simfònica Municipal de Madrid under the direction of Rafael Sanz–Espert with Víctor M. Ánchel\, oboe and Enrique Abargues\, bassoon. \nThis work is in one movement with several sections: \nThe Spiral Galaxy\nTravelling through the Milky Way\nSupermassive Black Hole: Falling into the abyss…\nThe Orion Nebula: “We are made of star-stuff.”\n…Flying through the Spiral Galaxy \nDuration approximately 8:15
URL:https://jennibrandon.com/event/orion-concerto-performance-at-troy-university-alabama/
LOCATION:Crosby Theatre\, 601 University AVenue\, Troy\, AL\, 36082\, United States
ATTACH;FMTTYPE=image/png:https://jennibrandon.com/wp-content/uploads/2023/01/The-Orion-Concerto-11-×-14-in.png
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DTSTART;TZID=America/New_York:20260211T080000
DTEND;TZID=America/New_York:20260213T190000
DTSTAMP:20260428T022642
CREATED:20260207T013247Z
LAST-MODIFIED:20260207T013247Z
UID:22758-1770796800-1771009200@jennibrandon.com
SUMMARY:Coastal Carolina University Composer Residency February 11-13\, 2026
DESCRIPTION:Jenni is thrilled to be the 2026 Composer of the year for the REP Project at Coastal Carolina University. She will present workshops and events throughout her residency\, including masterclasses on composition\, accessible yoga for everyone\, and developing collaborative projects. She’ll also work with performers as the residency culminates in a recital of her music\, and Jenni will conduct the clarinet choir on her work Gather at the Rock.   \nThe REP Project is a collaborative initiative led by Dr. Eric Schultz and CCU students that focuses on diversifying music by working directly with a living American composer each year. Through residencies\, students engage with the composer in rehearsals\, masterclasses\, interviews\, and performances\, while also discussing the importance of representation in the concert hall. Building on experiences such as iconic composer Valerie Coleman’s impactful residency\, the project challenges traditional repertoire lists that have historically excluded many voices\, treating new music with the same depth and respect given to composers like Mozart and Brahms. By doing so\, The REP Project fosters a more inclusive and relevant approach to musicmaking\, while giving students a personalized and inspiring opportunity to shape the future of musical repertoire. \nFind tickets HERE for the Friday\, February 13 recital\n \nLearn more about the repertoire being performed HERE \n 
URL:https://jennibrandon.com/event/coastal-carolina-university-composer-residency-february-11-13-2026/
LOCATION:Coastal Carolina University\, 100 Chanticleer Drive E\, Conway\, SC\, 29528\, United States
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DTSTART;TZID=America/Los_Angeles:20260222T150000
DTEND;TZID=America/Los_Angeles:20260222T170000
DTSTAMP:20260428T022642
CREATED:20251010T234655Z
LAST-MODIFIED:20251010T234947Z
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SUMMARY:Osmia: Dream of the Mason Bees World Premiere with the Bellingham Chamber Music Society
DESCRIPTION:The Bellingham Chamber Music Society gives the world premiere of Jenni’s new work Osmia: Dream of the Mason Bees for oboe\, clarinet\, bassoon\, violin\, viola\, cello\, and marimba (approximately 15 minutes) on their concert “Dreams” on February 22\, 2026 \nPerformed by: Jennifer Weeks\, Oboe Erika Block\, Clarinet Pat Nelson\, Bassoon Lenelle Morse\, Violin Eric Kean\, Viola Sam Sinai\, Cello Patrick Roulet\, Marimba \n 
URL:https://jennibrandon.com/event/osmia-dream-of-the-mason-bees-world-premiere-with-the-bellingham-chamber-music-society/
LOCATION:Leo Hotel\, 1224 Cornwall Ave\, Bellingham\, WA\, 98225\, United States
ATTACH;FMTTYPE=image/png:https://jennibrandon.com/wp-content/uploads/2025/10/Osmia-Dream-of-the-Mason-Bees-COVER_1.png
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