BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Jenni Brandon - ECPv6.16.4.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://jennibrandon.com
X-WR-CALDESC:Events for Jenni Brandon
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Los_Angeles
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20180311T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20181104T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20190310T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20191103T090000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0800
TZOFFSETTO:-0700
TZNAME:PDT
DTSTART:20200308T100000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
TZNAME:PST
DTSTART:20201101T090000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Detroit
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:Europe/Warsaw
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20201025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20180311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20181104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20190310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20191103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20200308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20201101T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190915
DTEND;VALUE=DATE:20200207
DTSTAMP:20200221T013917Z
CREATED:20200221T013917Z
LAST-MODIFIED:20200221T013917Z
UID:8605-1568505600-1581033599@jennibrandon.com
SUMMARY:Jenni Brandon’s “The Sequoia Trio” Performed at Multiple Venues by The Solidago Trio
DESCRIPTION:Jenni Brandon’s “The Sequoia Trio” performed at multiple venues by The Solidago Trio. The Solidago Trio is a newly established reed trio\, consisting of Dr. Thomas Pappas\, oboe; Dr. Lori Baruth\, clarinet; and Dr. David Oyen\, bassoon. They have performed together for the past few years as colleagues at Morehead State University and decided to form a professional trio the summer of 2019. Morehead State University is located at 150 University Blvd.\, Morehead\, KY 40351. Telephone number is 1-800-585-6781. \nThe performances for “The Spider Suite” are: \n2020 \nFebruary 6\, 3:45PM – Recital @ Kentucky Music Educators Association Conference\, Louisville\, KY. Program: Milhaud Suite d’Après Corrette\, Jacob Trio\, Jenni Brandon The Sequoia Trio \nJanuary 25\, 3:00PM – Recital @ Lexington Central Library\, Lexington\, KY. Program: Milhaud Suite d’Après Corrette\, Jacob Trio\, Jenni Brandon The Sequoia Trio\, Auric Trio \nJanuary 17\, 8:00PM – Special Concert for 2020 KMEA District 8 All-District Band @ Boyd County High School Auditorium\, Ashland\, KY. Program: Milhaud Suite d’Après Corrette\, Jacob Trio\, Jenni Brandon The Sequoia Trio \n2019 \nSeptember 15\, 3:00PM – Recital @ Morehead State University. Program: Ibert Cinq Pièces en Trio\, Milhaud Suite d’Après Corrette\, Jacob Trio\, Jenni Brandon The Sequoia Trio \nJenni said “I had returned from a trip to Sequoia National Park in July of 2008 and was inspired by the great trees. I knew that these would be the basis for the new work\, and in searching for a voice of these great trees I turned to the words of John Muir for inspiration.” \nEach movement of the six movements of The Sequoia Trio (oboe\, clarinet\, bassoon sheet music)takes a quote about Sequoia trees from John Muir’s book The Yosemite and uses it to inspire the music. The opening waving pattern creates the gentle breeze as the growth of the tree starts in the bassoon\, moving through the clarinet and is carried all the way to the top of the tree through the oboe. Movement two is sassy and jazzy\, describing the kind of resilient attitude that young trees must maintain in order to survive. “The Three Graces” plays on the idea of the three instruments in the ensemble and Muir’s own reference to Greek mythology. Finally\, in “The Noble Trees” the instruments play a hymn-like tribute to the largest living things on earth. The two “Tree Interludes” represent the individual voice of a tree and its story. \nThis piece was written during Jenni’s composer residency with the Vientos Trio during 2008-2009. \nBuy “The Sequoia Trio” at this link. Jenni’s website is (https://jennibrandon.com).
URL:https://jennibrandon.com/event/jenni-brandons-the-sequoia-trio-performed-at-multiple-venues-by-the-solidago-trio/
LOCATION:WA
ORGANIZER;CN="Solidago":MAILTO:https://www.facebook.com/solidagoreedtrio/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191011T200000
DTEND;TZID=America/Los_Angeles:20191011T213000
DTSTAMP:20191015T193257Z
CREATED:20191015T193257Z
LAST-MODIFIED:20191015T193257Z
UID:4231-1570824000-1570829400@jennibrandon.com
SUMMARY:“Shades of Violet” by Jenni Brandon Performed by Natalie Groom at The Outdoor Performance Series
DESCRIPTION:Jenni Brandon’s “Shades of Violet” performed by Natalie Groom on October 11\, 2019 at 8:00pm in the Little Tavern Park\, 7413 Baltimore Ave\, College Park\, MD 20740-3207\, as part of the College Park City-University Partnership Outdoor Performance Series. This weekly outdoor performance series supports the vision of a sustainable\, walkable\, vibrant top-20 college town. It is a collaboration between the College Park City-University Partnership\, the University Office of Community Engagement\, College Park Arts Exchange\, the Clarice Smith Performing Arts Center\, the University of Maryland’s School of Music\, and the City of College Park. \nNatalie Groom is a freelance clarinetist in Washington\, D.C. and substitute clarinetist of the Annapolis Symphony and Annapolis Opera. She is the artist-in-residence at Collington Retirement Community\, a Junior Board member of Washington Performing Arts\, and a volunteer for the Institute for Composer Diversity. This year she performed a joint concert with the Berlin Philharmonic Wind Quintet\, won a residency at Avaloch Farm Music Institute\, and opened for the National Symphony Orchestra. \nA teacher\, conductor\, and academic\, she has led the New Horizons clarinet choir and taught Rock and American Popular Music\, Business Communications\, and clarinet/saxophone lessons for Music for Life\, Tucson Summer Music\, Music & Arts\, and The Gregory School. She has published two event reports in the International Clarinet Association journal. \nThe title for Shades of Violet came about during a phone call with Jenni and Elizabeth Crawford – clarinet and Katrin Meidell – viola. They were discussing this new work and Elizabeth’s and Katrin’s ensemble’s name “Violet” and the phrase “shades of violet” was mentioned. Jenni loved this phrase and knew it would inspire the work\, plus pay homage to this new ensemble’s namesake! \nWhen Jenni started to research the color violet\, she found many interesting facts about this color. It is a “true” color in that it has its own set of wavelengths on the spectrum of visible light – between blue and invisible ultraviolet.  It also has a lot of other meanings throughout history\, encompassing spiritually\, emotions of love and passion\, and physical manifestations of the color.  Jenni wanted to portray these “shades of violet” not just from the color spectrum\, but what it has meant to people symbolically.  She made a list of what she found when she researched this color\, and many of these words or phrases that inspired her during the creation of this work appear as descriptions of sections in the score: \nMeditation \nInspiration \nImagination \nPassionate \nUnion of Body and Soul \nOriginal \nUnconditional love \nMental balance and stability \nDelicate \nCrown Chakra \nDignity \nCompassion \nVain \nExtravagance \nFlighty \nIn some ways this work is a love story – two instruments seeking passion\, inspiration\, union\, unconditional love.  We reach this union toward the end of the piece\, represented through the higher registers of both instruments– a push and pull of harmonies and shades of violet that Jenni thinks represent the complexities of what the color Violet represents.
URL:https://jennibrandon.com/event/shades-of-violet-by-jenni-brandon-performed-by-natalie-groom-at-the-outdoor-performance-series/
LOCATION:Little Tavern Park College Park\, MD\, 7413 Baltimore Ave\, College Park\, MD\, 20740-3207\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20191012T110000
DTEND;TZID=America/Detroit:20191012T120000
DTSTAMP:20190919T012700Z
CREATED:20190919T012700Z
LAST-MODIFIED:20190919T012700Z
UID:3442-1570878000-1570881600@jennibrandon.com
SUMMARY:Jenni Brandon’s CANE: Bassoon Concerto with Reed Quintet Performed By The Limitless Collective
DESCRIPTION:The Limitless Collective performs Jenni Brandon’s “CANE: Bassoon Concerto with Reed Quintet” for the National Association of Wind and Percussion Instructors National Conference (NACWPI) on October 11 – 13\, 2019. The Conference is at the University of Northern Iowa in Cedar Falls\, Iowa. The performance is at the Gallagher Bluedorn Performing Arts Center\, Great Hall\, 8392 University Ave.\, Cedar Falls\, Iowa\, on Saturday October 12th\, at 11:00am. \nThe first concerto of its kind\, Cane tells a dramatic story of one bassoon reed’s journey from its origins as raw\, organic cane\, to the final joy of playing on the finished reed. The colors of the reed quintet and the virtuosic solo bassoon intermingle in this through-composed piece to take the listener through this vivid experience. Rhythm\, lyrical lines\, extended techniques\, Afro-Cuban style music\, jazz and fugue join together to remind us that this is an organic process. From making reeds to making music\, we come together to create performance. Ever changing and ever evolving\, every reed and every performance is unique\, and Cane promises to tell this story in a powerful and exciting new way.\nThere are several sections in this through-composed work\, taking us on a journey that is the life of a bassoon reed:\nSplit: short and percussive\, like splitting cane\nGouge: Rhythmic\, steady and driving. Removing and leaving…\nShape\nProfile: Mechanical\, with a little bit of mischief\nForm: The cane becomes a reed (Internal/external sounds of transition)\nScrape: In the style of Afro-Cuban music\nPlaying the reed: Swing\, sassy; thoughtful\, reflective; with reverence; the reed plays…\nPremiered by the newly formed Limitless Collective\, an artistic collective of female musicians of highest caliber aimed at revolutionizing the dynamic between audience and creator.
URL:https://jennibrandon.com/event/jenni-brandons-cane-bassoon-concerto-with-reed-quintet-performed-by-the-limitless-collective/
LOCATION:UNI Gallagher Bluedorn Performing Arts Center\, Great Hall\, 8392 University Ave\, Cedar Falls\, IA\, IA\, 50614-0801\, United States
ORGANIZER;CN="Limitless Collective":MAILTO:mailto:limitlesscollective7@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20191012T200000
DTEND;TZID=America/Los_Angeles:20191012T213000
DTSTAMP:20191008T172039Z
CREATED:20190927T174501Z
LAST-MODIFIED:20191008T172039Z
UID:3594-1570910400-1570915800@jennibrandon.com
SUMMARY:3 Paderewskis Performed At The University of Southern California (USC)
DESCRIPTION:3 PADEREWSKIS by composer Jenni Brandon and librettist Oliver Mayer is performed on  Saturday\, October 12\, 2019\, 8:00 p.m at the University of Southern California (USC)\, Thornton School of Music\, Polish Music Center\, Alfred Newman Recital Hall ( campus map) \, 3616 Trousdale Pkwy\, Los Angeles\, CA. This performance is this years Paderewski Lecture Recital. \n3 PADEREWSKIS\, a new opera by Jenni Brandon\, explores the life and work of composer and founder of the Polish nation\, Ignace Jan Paderewski. With book by University of Southern California professor and playwright Oliver Mayer and music by award-winning composer Jenni Brandon\, this work is expanded to 60 minutes. Commissioned by The Adam Mickiewicz Institute and Co-financed by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual program NIEPODLEGŁA 2017-2022. \nAt his grave\, we meet three versions of Paderewski (one of them female): Ignacy the virtuoso pianist/composer\, Jan the politician/founder of the Polish nation\, and Paderewski the éminence grise/Paso Robles winemaker. Coming together and pulling apart\, sifting through a lifetime of memories far too large for any one person\, they summon the ghost of Antonina\, their beloved long-dead first wife. In so doing\, they summon the spirit of Poland itself. A compassionate opera about a man who changed the world not only through his music but through pure passion for life\, whose memory instructs our own moment of ​political and moral crisis.  This work is expanded from a 40 minute version premiered in 2018 to a one hour\, one-act opera) \nCast and Musicians:\nAntonina (Soprano): Katherine Powers\nIgnace (Mezzo-Soprano): Maria Dominique Lopez\nJan (Tenor): Todd Strange\nPaderewski (Baritone): Steve Pence\nSATB Chorus: Ariel Pisturino\, Omar Crook\, E. Scott Levin \nPiano Quartet (Violin\, Viola\, Cello\, Piano): Central4 Piano Quartet\nDirector: David Bridel\nStage Manger: Seira Murakami\nMusic Director and Conductor: Jenni Brandon\nProducer: Ian-Julian Williams\, Mark Seldis \nCo-Producers: Adam Mickiewicz Institute \n  \n Kosciuszko Foundation \nFounded in 1925\, the Kosciuszko Foundation promotes closer ties between Poland and the United States through educational\, scientific and cultural exchanges. It awards up to $1 million annually in fellowships and grants to graduate students\, scholars\, scientists\, professionals\, and artists\, and promotes Polish culture in America. The Foundation has awarded scholarships and provided a forum to Poles who have changed history. \nThe Adam Mickiewicz Institute is a national cultural institute\, whose mission is to build and communicate the cultural dimension of the Poland brand through active participation in international cultural exchange. The Institute has carried out cultural projects in 70 countries. As of early 2016\, the AMI has presented more than 5\,500 cultural events\, attracting an audience of more than 52 million on five continents. All of the Institute’s projects carry our flagship brand\, culture.pl. \nEvent Partners: \n \nConsulate General of the Republic of Poland in Los Angeles \n \nHelen Modjeska Art and Culture Club \n \nPOLAM – Federal Credit Union \n 
URL:https://jennibrandon.com/event/three-paderewskis-performed-at-the-university-of-southern-california-usc/
LOCATION:USC Alfred Newman Recital Hall\, 3616 Trousdale Pkwy\, Los Angeles\, 90089\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191014
DTEND;VALUE=DATE:20191015
DTSTAMP:20200218T225643Z
CREATED:20191015T000811Z
LAST-MODIFIED:20200218T225643Z
UID:4202-1571011200-1571097599@jennibrandon.com
SUMMARY:Jenni Brandon’s “Starry Night” Performed by Virginia Costa Figueiredo On Her Award-Winning Album “Seule”
DESCRIPTION:  \nJenni Brandon’s “Starry Night”\, a three movement work\, is performed by Virginia Costa Figueiredo on her award-winning album “Seule”. Virginia  is a Los Angeles based clarinetist where she performs regularly as a freelancer and with local music ensembles. As a recording artist\, she has released two albums to critical acclaim: her debut solo album\, Seule\, was a 2018 Global Music Awards silver medalist\, while her 2014 album with The Divan Consort\, Refuge\, earned a first-round GRAMMY nomination in 2015 as well as a Global Music Awards gold medal. \nThe idea for her debut solo album “Seule” began in 2009 and came from the desire to explore music by Los Angeles composers and music by composers from her native country Portugal. It features works by American composers Jenni Brandon\, Daniel Kessner\, Ken Walicki\, Pamela Madsen\, David Lefkowitz\, and Portuguese composers; Clotilde Rosa\, and Maria de Lurdes Martins. \nStarry Night by Jenni Brandon\, Big Dog by Ken Walicki\, Riverly is the Moon by Pamela Madsen were all composed for and premiered by Virginia Figueiredo. Many of these works include extended clarinet techniques\, but it is their lyrical and expressive character that really shines through and features the beauty of music for clarinet alone. \nShe is an internationally active performer\, recording artist\, and educator. She has toured extensively throughout the United States\, Europe\, South America\, and Asia as a soloist and chamber musician\, and her performances have been featured on radio broadcasts in both Portugal and the United States. In Southern California\, she performs regularly with The Pacific Opera Project\, the Luso-American Duo\, and numerous other orchestras and chamber ensembles. \nStarry Night for Solo B flat clarinet is a three-movement work for solo B-flat clarinet that tells of the night skies and our fascination with what lies in them. Using poetry and texts from Gerard Manley Hopkins\, John Keats\, and Van Gogh (whose painting is also the inspiration for the title of this work)\, these movements tell of the stars as “fire-folk” and how the sight of stars can make us dream. \n\n The Starlight Night\nLook at the stars! look\, look up at the skies!\n\nO look at all the fire-folk sitting in the air! \nGerard Manley Hopkins (1844-1889) \n\n Bright Star!\n\nBright Star! Would I were steadfast as thou art- \nNot in lone splendor hang aloft the night! \nJohn Keats (1795-1821) \nIII. The Sight of Stars \nFor my part I know nothing with any certainty\, \nbut the sight of stars makes me dream. \nVincent van Gogh (1853-1890) \n  \nThis work was written for Virginia Costa Figueiredo\, premiered in February 2013\, and receives its premiere recording on her CD \n 
URL:https://jennibrandon.com/event/jenni-brandons-starry-night-performed-by-virginia-costa-figueiredo-on-her-award-winning-album-seule/
LOCATION:WA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20191018T190000
DTEND;TZID=Europe/Warsaw:20191018T210000
DTSTAMP:20190929T204019Z
CREATED:20191001T174521Z
LAST-MODIFIED:20190929T204019Z
UID:3690-1571425200-1571432400@jennibrandon.com
SUMMARY:Jenni Brandon’s 3 Paderewskis Performed In Poland
DESCRIPTION:The 3 Paderewskis by composer Jenni Brandon and playwright Oliver Mayer is performed on Friday\, October 18\, 2019\, 7:00pm at the Aula Nova\, I.J. Paderewski Conservatory\, Swiety Marcin 87\, 61-808 in Poznan\, Poland. The performance is followed by Q&A with the artists that is open to the public. \nThe 3 Paderewskis\, a new opera by Jenni Brandon\, explores the life and work of composer and founder of the Polish nation\, Ignace Jan Paderewski. With book by University of Southern California professor and playwright Oliver Mayer and music by award-winning composer Jenni Brandon\, this work is expanded to 60 minutes. Commissioned by The Adam Mickiewicz Institute and Co-financed by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual program NIEPODLEGŁA 2017-2022. \nThis expanded work (originally a 40-minute version premiered in 2018) looks at three versions of the great Paderewski (one of them female) as they sift through a lifetime of memories far too large for any one person. Ignace the pianist/composer\, Jan the visionary statesman\, and Paderewski the viticulturist\, assess a lifetime of love and loss\, exile\, war and wine.  But when the ghost of Antonina\, their long-departed wife\, rejoins them\, memories become immediate with a vibrancy that sheds light on the depths of their endless love. This performance is part of a four-day festival celebrating Ignace Jan Paderewski. Of interest on: \n\nThursday\, October 17th at 11:00am is a Student and Faculty Workshop: University as a place of artistic development and promotion. USA-Poland comparison. Guests are: Carol Martin\, Oliver Mayer\, David Bridel\, Brian Kite\, Juli Hendren\, Andrzej Lesicki. Open to the public. The location: Collegium MAIUS\, ul. Fredry 10\, 61-701\nOn October 19th\, at 10:00am is a Young Artist Workshop at Teatr Muzyczny\, Poznan: Creating musical characters”. Guests: are Jenni Brandon \, Oliver Mayer\, Matthew Hardy\, and Brian Kite. This workshop is closed to the public.\n\nCast and Musicians: \nAntonina (Soprano): Keiko Clark \nIgnace (Mezzo-Soprano): Maria Dominique Lopez \nJan (Tenor): Todd Strange \nPaderewski (Baritone): Steve Pence \nSATB Polish Chorus of Teatr Muzyczny. Directed by Piotr Deptuch \nPiano Quartet (Violin\, Viola\, Cello\, Piano \nDirector: David Bridel \nStage Manger: Seira Murakami \nMusic Director and Conductor: Jenni Brandon \nProducer: Ian-Julian Williams \nCo-Producers: \n \nAdam Mickiewicz Institute \n  \n Kosciuszko Foundation \n          \nThis presentation is commissioned by the Adam Mickiewicz Institute and presented in collaboration with the Kosciuszko Foundation.  Co-financing is provided by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual program NIEPODLEGŁA 2017-2022. This project was originally commissioned in cooperation with the Adam Mickiewicz Institute as part of the international cultural program POLSKA 100 accompanying Poland’s centenary of regaining independence. \nEvent Partners: \n \nConsulate General of the Republic of Poland in Los Angeles \n \nHelen Modjeska Art and Culture Club \n \nPOLAM – Federal Credit Union
URL:https://jennibrandon.com/event/jenni-brandons-three-paderewskis-performed-in-poland/
LOCATION:Aula Nova\, I.J. Paderewski Conservatory
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191018T193000
DTEND;TZID=America/Chicago:20191019T213000
DTSTAMP:20190919T000155Z
CREATED:20190919T000155Z
LAST-MODIFIED:20190919T000155Z
UID:3432-1571427000-1571520600@jennibrandon.com
SUMMARY:Jenni Brandon’s “Found Objects: On the Beach” Performed by The CHAI Collaborative Ensemble
DESCRIPTION:Jenni Brandon’s “Found Objects: On the Beach” is performed by the CHAI Collaborative Ensemble (CCE) on: \n0 October 18- 19\, 2019\, 7:30pm Atlas Arts Media 1806 W. Cuyler Ave.\, #3G\, Chicago\, IL 60613 \n0 October 20\, 2019 at 3pm House Concert (TBA with ticket purchase) in Evanston\, IL \nCHAI Collaborative Ensemble (CCE) opens their fifth season October 18-20 with an exploration of our relationship with our natural history and our current place on planet Earth. CCE is a Chicago-based collective of musicians dedicated to presenting substantial and approachable programs of mixed vocal and instrumental chamber music. Our repertoire runs the gamut\, ranging from beloved classics to newly commissioned works\, with many hidden gems along the way. \nFound Objects: On the Beach for oboe\, clarinet\, and bassoon tells of finding objects on the beach – from tumbled stones to sea glass; from driftwood to black feathers on the sand and the seashells that populate the beach as far as the eye can see. A six-movement work approximately 23 minutes. \nPremiered by the PEN Trio (Nora Lewis-oboe\, Phillip Paglialonga-clarinet\, and Eric Van der Veer Varner-bassoon)\, this work is published by TrevCo Music Publishing on the new PEN Trio Collection Series!
URL:https://jennibrandon.com/event/jenni-brandons-found-objects-on-the-beach-performed-by-the-chai-collaborative-ensemble/
LOCATION:Atlas Arts Media\, 1806 W. Cuyler Ave.\, #3G\, Chicago\, IL\, 60613\, United States
ORGANIZER;CN="CHAI Collaborative Ensemble":MAILTO:chaicollaborative@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191019T110000
DTEND;TZID=America/New_York:20191019T120000
DTSTAMP:20190930T000534Z
CREATED:20190930T000534Z
LAST-MODIFIED:20190930T000534Z
UID:3799-1571482800-1571486400@jennibrandon.com
SUMMARY:Jenni Brandon’s Cumulonimbus and Chansons de la Nature Pour La Clarinette Performed by Natalie Groom
DESCRIPTION:Jenni Brandon’s Cumulonimbus and Chansons de la Nature Pour La Clarinette  is performed by Natalie Groom as the Collington Artist-in-Residence at the Collington Retirement Community in Bowie\, Maryland on October 19\, 2019. Natalie was awarded a residency at Collington Retirement Community in Bowie\, Maryland\, as their artist-in-residence\, she will perform frequently in addition to coordinating concerts\, bringing in guest lecturers\, and leading educational seminars. \nNow in its third year\, this program has been featured by The Today Show and ABC. This residency is made possible by a partnership between the University of Maryland School of Music and Collington\, A Kendal Affiliate \nThe inspiration for the Cumulonimbus piece\, by Jenni\, comes from a wonderful book titled The Cloudspotter’s Guide: The Science\, History\, and Culture of Clouds by Gavin Pretor-Pinney. In this book he describes all types of clouds\, from the Stratus all the way up to the Cirrocumulus cloud. Jenni particularly loved his chapter on the Cumulonimbus cloud and the description of the destruction and havoc that this cloud can make. Jenni thought it would be exciting to write a work that represented this cloud and its fury. \nJenni’s Chansons de la Nature Pour La Clarinette\, tells a story about nature as told by the clarinet’s agile voice. The French titles and basis of the pieces were inspired by the lyrical and pastoral quality of the French language and the images it invokes. The piece is also inspired by the images presented in Aesop’s fables (and Jean de la Fontain’s retelling of them); in particular\, the movement “Le Lièvre et la Tortue” tells of the slow tortoise beating the fast hare with his patience and determination. Both creatures are represented in this movement\, from the plodding of the tortoise to the quick movements of the hare.
URL:https://jennibrandon.com/event/jenni-brandons-cumulonimbus-and-chansons-de-la-nature-pour-la-clarinette-performed-by-natalie-groom/
LOCATION:Collington Retirement Community\, 10450 Lottsford Rd\, Bowie\, MD\, 20721\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191021T200000
DTEND;TZID=America/New_York:20191021T210000
DTSTAMP:20191001T220729Z
CREATED:20191004T213045Z
LAST-MODIFIED:20191001T220729Z
UID:3807-1571688000-1571691600@jennibrandon.com
SUMMARY:Jenni Brandon’s Cumulonimbus and Shades of Violet Performed by Natalie Groom
DESCRIPTION:Jenni Brandon’s Cumulonimbus and Shades of Violet performed\, as a solo recital\, by Natalie Groom on October 21\, 2019 at 8:00pm in the Gildenhorn Recital Hall at The Clarice Smith Performing Arts Center\, Stadium Drive and Route 193\, College Park\, MD 20742\, Phone: (301) 405-2787. \nNatalie Groom is a freelance clarinetist in Washington\, D.C. and substitute clarinetist of the Annapolis Symphony and Annapolis Opera. She is the artist-in-residence at Collington Retirement Community\, a Junior Board member of Washington Performing Arts\, and a volunteer for the Institute for Composer Diversity. \nAs teacher\, conductor\, and academic\, she and soprano Jennifer Piazza-Pick founded\, in 2018\, the Whistling Hens\, a chamber music ensemble. The group celebrates and advances the artistic accomplishments of women by performing and commissioning all female-composed music. Their work invites listeners to reflect on the impact male privilege has had on traditional music programming\, question the status quo of gender inequality in the classical music community\, and engage with music by women of various backgrounds. \nThe inspiration for Jenni’s Cumulonimbus was from a wonderful book titled The Cloudspotter’s Guide: The Science\, History\, and Culture of Clouds by Gavin Pretor-Pinney. In this book he describes all types of clouds\, from the Stratus all the way up to the Cirrocumulus cloud. Jenni particularly loved his chapter on the Cumulonimbus cloud and the description of the destruction and havoc that this cloud can make. I thought it would be exciting to write a work that represented this cloud and its fury. \nThe title for Shades of Violet came about during a phone call with Jenni and Elizabeth Crawford – clarinet and Katrin Meidell – viola. They were discussing this new work and Elizabeth’s and Katrin’s ensemble’s name “Violet” and the phrase “shades of violet” was mentioned. I loved this phrase and knew it would inspire the work\, plus pay homage to this new ensemble’s namesake! \nWhen I started to research the color violet\, I found many interesting facts about this color. It is a “true” color in that it has its own set of wavelengths on the spectrum of visible light – between blue and invisible ultraviolet.  It also has a lot of other meanings throughout history\, encompassing spiritually\, emotions of love and passion\, and physical manifestations of the color.  I wanted to portray these “shades of violet” not just from the color spectrum\, but what it has meant to people symbolically.  I made a list of what I found when I researched this color\, and many of these words or phrases that inspired me during the creation of this work appear as descriptions of sections in the score: \nMeditation \nInspiration \nImagination \nPassionate \nUnion of Body and Soul \nOriginal \nUnconditional love \nMental balance and stability \nDelicate \nCrown Chakra \nDignity \nCompassion \nVain \nExtravagance \nFlighty \nIn some ways this work is a love story – two instruments seeking passion\, inspiration\, union\, unconditional love.  We reach this union toward the end of the piece\, represented through the higher registers of both instruments– a push and pull of harmonies and shades of violet that I think represent the complexities of what the color Violet represents.
URL:https://jennibrandon.com/event/jenni-brandons-cumulonimbus-and-shades-of-violet-performed-by-natalie-groom/
LOCATION:Gildenhorn Recital Hall at The Clarice Smith Performing Arts Center\, Stadium Drive and Route 193\, College Park\, MD\, 20742\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191028T200000
DTEND;TZID=America/New_York:20191028T213000
DTSTAMP:20191029T222714Z
CREATED:20191029T222714Z
LAST-MODIFIED:20191029T222714Z
UID:4618-1572292800-1572298200@jennibrandon.com
SUMMARY:Tempo Performs Shades of Violet by Jenni Brandon
DESCRIPTION:Jenni Brandon’s “Shades of Violet” is performed by Tempo at the Gildenhorn Recital Hall\, University of Maryland School of Music on Monday\, October 28\, 2019 . 8PM. Tempo is a graduate student-led contemporary music ensemble that focuses on cultivating new music experiences in the community both within and outside of the standard concert hall to present the music of now. The program is: \nJenni Brandon: Shades of Violet \nPatrice Michaels: The Long View: A Portrait of Ruth Bader Ginsburg in Nine Songs \nDaron Hagen: Duo for Violin and Cello \nBrett Miller: Blue \nNathan Daughtrey: An Extraordinary Correspondence \nShades of Violet for Clarinet in B-flat and Viola (JB 146) explores the complexities of the color violet throughout history as told by the Clarinet and Viola. The title for Shades of Violet came about during a phone call with Elizabeth Crawford – clarinet and Katrin Meidell – viola. We were discussing this new work and their ensemble’s name “Violet” and the phrase “shades of violet” was mentioned. I loved this phrase and knew it would inspire the work\, plus pay homage to this new ensemble’s namesake! \nWhen I started to research the color violet\, I found many interesting facts about this color. It is a “true” color in that it has its own set of wavelengths on the spectrum of visible light – between blue and invisible ultraviolet. It also has a lot of other meanings throughout history\, encompassing spiritually\, emotions of love and passion\, and physical manifestations of the color. I wanted to portray these “shades of violet” not just from the color spectrum\, but what it has meant to people symbolically. I made a list of what I found when I researched this color\, and many of these words or phrases that inspired me during the creation of this work appear as descriptions of sections in the score: \nMeditation \nInspiration \nImagination \nPassionate \nUnion of Body and Soul \nOriginal \nUnconditional love \nMental balance and stability \nDelicate \nCrown Chakra \nDignity \nCompassion \nVain \nExtravagance \nFlighty \nIn some ways this work is a love story – two instruments seeking passion\, inspiration\, union\, unconditional love. We reach this union toward the end of the piece\, represented through the higher registers of both instruments– a push and pull of harmonies and shades of violet that I think represent the complexities of what the color Violet represents. \nIt was an honor to write this work for the inaugural season of Violet. This work was premiered in February 2018 and appears on Violet’s debut album.
URL:https://jennibrandon.com/event/tempo-performs-shades-of-violet-by-jenni-brandon/
LOCATION:Gildenhorn Recital Hall at The Clarice Smith Performing Arts Center\, Stadium Drive and Route 193\, College Park\, MD\, 20742\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191029T193000
DTEND;TZID=America/New_York:20191029T203000
DTSTAMP:20191028T185928Z
CREATED:20191016T224530Z
LAST-MODIFIED:20191028T185928Z
UID:4271-1572377400-1572381000@jennibrandon.com
SUMMARY:Jenni Brandon’s Music Performed by The Frost Chamber Players\, University of Miami
DESCRIPTION:The Frost School of Music – University of Miami and the Frost Chamber Players\, members of the faculty in the Classical departments\, come together in an All-star celebration of women composers\, performing \, Jenni Brandon’s “The Sequoia Trio”\, Tania J. Leon\, Dorothy Hindman\, Jennifer Higdon\, Valerie Coleman \, Rebecca Clarke\, and Louise Farrenc. Dorothy Hindman will lead a brief pre-concert chat at 6:30pm. The concert is on Tuesday\, October 29\, 2019 at 7:30 PM – 8:30 PM EDT at the Maurice Gusman Concert Hall at the Frost School of Music\, University of Miami\, 1314 Miller Drive\, Coral Gables\, Florida 33146 \nThe highly acclaimed Frost School of Music at the University of Miami ranks among the most comprehensive and innovative in the nation. Originally founded as a Conservatory of Music in 1926\, it continues to offer premier performance experiences for instrumentalists and vocalists\, and a wide spectrum of degree offerings for virtually every area of musical study and research. \nJenni Brandon is an award-winning composer\, conductor\, and mezzo-soprano who enjoys engaging with performers and audiences\, often giving talks about the business of music and the art of collaboration.  She is the recipient of numerous awards including the Sorel Medallion\, the American Prize for Choral Composition\, the Women Composers Festival of Hartford International Composition Competition\, and the Bassoon Chamber Music Composition Competition.  She was the composer in residence for the 2018 inaugural season of the LunART Festival in Madison\, Wisconsin\, where her chamber and choral music was featured throughout the festival.  She also gave talks on the art of collaboration and worked with emerging composers in her workshop “From Page to Stage”. \nHer recent commissions and performances include We Are Joy\, a piano concerto for choir and chamber orchestra with poetry by Oliver Mayer and soon to be published by Pavane Publishing. Her new 60-minute American Musical Hybrid “3 Paderewskis” with book by Oliver Mayer is the winner of the 2017 Paderewski Cycle. It is Commissioned by The Adam Mickiewicz Institute and Co-financed by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual program NIEPODLEGŁA 2017-2022. and is being performed at the University of Southern California (USC); Aula Nova\, I.J. Paderewski Conservatory\, Swiety Marcin 87\, 61-808 in Poznan\, Poland; and The Kennedy Center.
URL:https://jennibrandon.com/event/jenni-brandons-music-performed-by-the-frost-chamber-players-university-of-miami/
LOCATION:Maurice Gusman Concert Hall at the Frost School of Music\, University of Miami\, 1314 Miller Drive\, Coral Gables\, FL\, 33146\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20191029T193000
DTEND;TZID=America/Detroit:20191029T210000
DTSTAMP:20191106T191658Z
CREATED:20191106T191658Z
LAST-MODIFIED:20191106T191658Z
UID:4887-1572377400-1572382800@jennibrandon.com
SUMMARY:Jenni Brandon’s Spider Suite Performed by The Fourth Wall
DESCRIPTION:Jenni Brandon’s Spider Suite performed by the Fourth Wall on Tuesday\, October 29 at 7:30 PM in the Humanities Theatre at Chattanooga State. The ensemble consists of Cindy Solfest-Wallis on flute\, Nicholas Hartline on clarinet\, and Staci Spring on bassoon. Spider Suite tells the story of the adventures of a spider and his daily activities\, from spinning webs\, capturing bugs\, and beginning again. \nWe are first introduced to the world of spiders through the fast and many-legged theme in “Along came a spider…\,” full of skittering\, racing\, and lurking. In movement two a young spider takes flight – baby spiders will spin a balloon out of silk and fly away from their mother’s web to embark on their own journey\, letting the wind take them wherever it might. Our spider lands gently and immediately begins to make his web in “Spinning Song.” Once the web is spun\, it is time to wait for dinner to come along. Our spider dances “A Wicked Waltz\,” laughing manically as he waits for the “Happy Bug (unsuspecting)” to get stuck in his web. As the bug flies and sings\, he gets increasingly stuck in the web – listen as the timbral trills in the oboe become more and more frequent. In the final movement the spider reflects on his day (flying\, spinning\, and hunting…)\, tearing down his web\, as spiders often do\, to begin again the next day. \nMovement I: Along came a spider… \nMovement II: The Spider’s Flight (solo bassoon) \nMovement III: Spinning Song \nMovement IV: A Wicked Waltz: The Spider and the Happy Bug (unsuspecting) \nMovement V. The end of the day…begin again \nSpider Suite for oboe\, clarinet\, and bassoon was commissioned by the California Association of Professional Music Teachers and was premiered by the Vientos Trio at the CAPMT state conference in February 2010 at the Pacific Palms Resort. \nThe version for flute\, clarinet\, and bassoon is recorded by Ceora Winds on their debut CD Postcards.
URL:https://jennibrandon.com/event/jenni-brandons-spider-suite-performed-by-the-fourth-wall/
LOCATION:Chattanooga State College\, 4501 Amnicola Hwy\, Chattanooga\, TN\, 37406\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191030T190000
DTEND;TZID=America/Chicago:20191030T210000
DTSTAMP:20191101T203823Z
CREATED:20191101T203823Z
LAST-MODIFIED:20191101T203823Z
UID:4748-1572462000-1572469200@jennibrandon.com
SUMMARY:Compostela by Jenni Brandon\, Performed by Eric Stomberg and Trio Amical in Fayetteville
DESCRIPTION:Jenni Brandon’s Compostela was performed\, as a guest recital\, by Eric Stomberg and Trio AmicalatRoots HQ atGuisinger Music House\, Fayetteville\, Arkansas\, 1 E Mountain St\, Fayetteville\, AR 72701 on October 30\, 2019 7:00pm.. The Trio Amical is a woodwind ensemble featuring bassoon\, clarinet\, and piano. The ensemble includes Eric Stomberg (bassoon)\, Karen Benda (clarinet)\, and Robert Koening (piano). They will perform the first two movements\, the “Field of Stars” and end with the “Buen Camino” in honor of the late Eric Varner. \nLia Uribe\, Director of Undergraduate Studies/ Music Department at University of Arkansas stated on her Facebook Page\, “At yesterday’s Trio Amical recital\, Eric Stomberg played a couple movements from Jenni Brandon’s “Compostela for solo bassoon”\, in memory of our dear colleague Eric Varner who passed away a few weeks ago. It was a beautiful homage\, solemn and profound\, and served us all well\, even the ones that didn’t know Eric Varner\, to reflect\, to connect\, to remember\, and to honor life. The power of music\, and the power of friendship” \n  \nDr. Stomberg\, DMA enjoys a wide-ranging musical career as a performer\, artist-teacher and artistic administrator. He plays with “elegance and refinement” while displaying “impeccable tone and technique” (American Record Guide). He is also one of the most sought-after contemporary bassoonists with numerous invitations to present recitals and masterclasses at conservatories and schools of music around the world. His students have gone on to study at the most prestigious music schools in the country\, while former students also hold orchestral and academic positions in the United States and abroad. He is on faculty at the University of Kansas\, School of Music and Associate Director of Music for Summer Programs at Interlochen Center for the Arts\, Instructor of Bassoon at Interlochen Arts Academy\, and as President of the International Double Reed Society. \nCompostela for solo bassoon work tells the story of the pilgrimage along The Camino Francés.  It is the most popular of the pilgrimage routes through Spain that lead to Santiago de Compostela\, or the church where the bones of St. James the Apostle are said to be buried.  The title of this work has two meanings.  “Compostela for solo bassoon work tells the story of the pilgrimage along The Camino Francés.  It is the most popular of the pilgrimage routes through Spain. Premiered during the 2018 International Double Reed Society Conference in Granada\, Spain by Eric Varner \nCompostela” is translated by some to mean “field of a star”.  This comes from the legend of the discovery of St. James the apostle – his body was said to be revealed by a star to Theodomir\, Bishop of Ira Flavia in 813.  The Compostela is also the certificate that is given to pilgrims at the completion of their journey\, or when they reach the grand church in Santiago de Compostela which holds the remains of St. James.  To me\, the title touches on both the ethereal and the physical of this pilgrimage.  It is not so much about the destination\, but the personal journey the pilgrim takes with each step along the Camino de Santiago.  As we travel along this path\, the bassoon narrates what we may see and hear\, how we may feel\, and what we discover about ourselves as we take this personal journey. \nThis work was commissioned by Eric Van der Veer Varner\, who introduced me to the Camino de Santiago when we talked about a new work for him during IDRS 2017 at Lawrence University. His enthusiasm and knowledge about the trail inspired me to dig deeper into this pilgrimage I knew nothing about\, but now join many people around the world in being fascinated by the history and meaning of the Camino.  It is an honor to write this piece for him to premiere. \nIn one movement\, this work has several sections that highlight the journey along the way. \nI. Field of Stars:  Along the  Camino Francés thousands of pilgrims have travelled over many centuries in search of answers.  Many walk the path for different reasons – spiritual callings\, atonement\, health and fitness\, personal reflection and growth.  Whatever the reason\, they all walk the path toward the Santiago de Compostela\, under the same sky and stars.  This movement begins our journey toward that field of stars\, and the first steps onto the Camino Francés\, beginning at St Jean Pied de Port. \nII. Buen Camino!  This is a phrase that pilgrims say to each say along the way\, translating to “good way”.  It is a greeting of joy\, of hope\, and of good will as they travel this path. Cheerful and light\, the bassoon happily walks along the Camino fresh and open-minded. \nIII.   A Toast of Happiness:  This comes from the Irache Wine Fountain in Ayegui where Pilgrims can drink wine from an outdoor fountain.  There is a quote here that says: “Pilgrim\, if you wish to arrive at Santiago full of strength and vitality\, have a drink of this great wine and make a toast of happiness.”  There is a bit of joyful glee in sharing a drink with fellow pilgrims at an outdoor wine fountain \nIV  I was once…When leaving the town of Los Arcos\, the pilgrim will pass by a cemetery gate with this saying: “Yo que fui lo que tu eres\, tu seras lo que yo soi.” Or “I was once what you are\, and you will be what I am.”  This feels like a beautiful sentiment to remember along this sacred and ancient path\, for the pilgrims are connected through the ages by their calling to walk the Camino and learn from its wisdom. \nV  The Pit of Bones:  Just outside of Atapuerca is the site of the oldest discovered remains of humans.  This fascinating and incredibly poignant place reminds the pilgrim of the connection to each other and of our mortality. Ancient and mysterious\, the bassoon explores what might be found deep in the earth. \nVI  Cruz del Ferro:  On the route from Rabanel del Camino to Ponferrada is an Iron cross on top of a 5 meter wooden pole. It is surrounded by stones – people bring stones with them from all over the world and leave them here to represent leaving behind a burden. \nVII. The Scallop Shell:\nThe scallop shell is the symbol of the pilgrimage. Originally pilgrims would receive this shell once they reached Santiago de Compostela to prove that they had walked the Camino.  Today\, many pilgrims carry the scallop shell attached to their bags or clothes as a symbol of their journey.  The image of the scallop shell is also found all along the Camino to help the pilgrim stay on the right path.
URL:https://jennibrandon.com/event/compostela-by-jenni-brandon-performed-by-eric-stomberg-and-trio-amical-in-fayetteville/
LOCATION:Roots HQ at Guisinger Music House\, 1 E Mountain St\, Fayetteville\, AR\, 72701\, United States
END:VEVENT
END:VCALENDAR