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DTSTART;TZID=America/Detroit:20220127T193000
DTEND;TZID=America/Detroit:20220201T213000
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CREATED:20220107T013814Z
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SUMMARY:Vox Grata Presents Two Performances\, in Nashville\, of “We Are Home” for SSAA\, Piano\, and Percussion by Jenni Brandon
DESCRIPTION:Vox Grata presents two performances of “We Are Home” for SSAA\, piano\, and percussion by Jenni Brandon. The first performance is on January 27\, 2022\, 7:30PM at the Westminster Presbyterian Church\, 3900 West End Avenue\, Nashville\, TN 37205. The second performance is on February 1\, 2022\, 7:30PM at the Second Presbyterian Church\, 3511 Belmont Blvd Nashville\, TN 37215. Vox Grata sings concert programs that directly benefit the needs of women in the Nashville community. For information about performances\, please contact Vox Grata at voxgratainfo@gmail.com or fill out the form at this link https://voxgrata.com/contact/ \nVox Grata is comprised of joyful women who\, out of gratitude for the fullness of their own lives\, possess a desire to sing together for the benefit of others. The group performs repertoire that expresses a uniquely feminine spirit\, especially works that promote the best interests of women in society. \nVox Grata sings concert programs that directly benefit the needs of women in the Nashville\, Tennessee community. \nVox Femina Los Angeles commissioned We Are Home (SSAA choir\, percussion\, piano sheet music) under the direction of Dr. Iris Levine. Iris approached me to write this piece to fit onto their themed concert “Half the Sky: Hear Our Voices”\, and in particular to fit the section of the concert that spoke of “Home”. Because this would be a very personal piece for Vox\, I asked Iris to have the women write me stories\, poems\, haikus\, and anything else that helped them describe what “home” meant to them in singing with Vox. What I got was an incredible collection of texts\, written from the heart\, about their experiences and the joy that came from being a part of this singing community. I began to take phrases\, words\, and ideas from these texts and draw them together to create the text that is used in this piece. Although I wrote the final text\, it is a compilation of the voices of these women. More universally\, however\, this piece reflects what it means to be a part of a community – to share something important and to come “home”. \nThe premiere of this work took place on Saturday\, March 22\, 2014\, at Zipper Concert Hall at the Colburn School of Music in Los Angeles\, California. It was an honor to write this piece for Iris and the women of Vox. \nWe Are Home\nText and inspiration by the Women of Vox Femina\nCompiled and arranged by Jenni Brandon \nWe are\nSinging for the soul and songs our mothers taught us.\nWe are\nDancing in between passion\, love\, and empathy. \nWe are\nFinding comfort in things\nfar more vast and eternal than us\, \nWe are everything possible. \nWe are\nImpassioned\, thoughtful\, kind\, and strong\,\nWe are\nWoman\, friend\, chosen sisters. \nWe are\nA kaleidoscope of women’s voices\nOffering serenity and comfort\,\nWe are home. \nA safe haven\,\nRefuge from the outside world.\nSanctuary. \nWe are home. \nWe Are Home (for SSAA\, piano\, and percussion sheet music is available on Jenni’s website at We Are Home – SSAA choir\, percussion\, piano sheet music (jennibrandon.com)
URL:https://jennibrandon.com/event/vox-grata-presents-two-performances-in-nashville-of-we-are-home-for-ssaa-piano-and-percussion-by-jenni-brandon/
LOCATION:Westminster Presbyterian Church\, 3900 West End Avenue\, Nashville\, Tennessee\, 37205
ORGANIZER;CN="Vox Grata":MAILTO:voxgratainfo@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220204T154500
DTEND;TZID=America/New_York:20220204T163000
DTSTAMP:20211128T232115Z
CREATED:20211128T232115Z
LAST-MODIFIED:20211128T232115Z
UID:14368-1643989500-1643992200@jennibrandon.com
SUMMARY:Make Music Sweet\, by Jenni Brandon\, Performed by The Eastern Kentucky University Singers at The Kentucky Music Educators Association Conference
DESCRIPTION:Make Music Sweet\, by Jenni Brandon\, performed by The Eastern Kentucky University Choir (EKU) for Kentucky Music Educators Association   Conference\, at the Cathedral of the Assumption\, 433 S 5th St\, Louisville\, KY 40202\, Phone: (502) 582-2971\, on Friday\, February 4\, 2022\, 3:45 PM. The Kentucky Music Educators Association is a 501(c)3 organization consisting of over 2\,000 professional music educators at all levels from kindergarten to the university level who are dedicated to the cause of music education in Kentucky. Included are in-service\, pre-service and retired music educators. Associated with NAfME: The National Association For Music Education\, KMEA serves as a voice for Kentucky’s music educators. \nKMEA maintains an active involvement with the Kentucky Coalition for Arts Education\, an affiliation with such groups as the Kentucky Art Education Association; the Kentucky Theater Association; and the Kentucky Association for Physical Education\, Recreation\, and Dance; and the Kentucky Center – all dedicated to the improvement of arts education in the Commonwealth. \nThe University Singers performance is under the direction of Dr. Richard Waters\, Director of Choral Activities. The Eastern Kentucky University Choir concert program is: \n\n\n\nChristus est natus\nDamijan Močnik\n\n\nThe Cloths of Heaven\nAdolphus Hailstork\n\n\nMake Music Sweet\nJenni Brandon\n\n\nAnthony O’Daly\nSamuel Barber\n\n\nChild of Wonder\nEric Whitacer\n\n\nI’ll Be On My Way\nShawn Kirchner\n\n\n\n  \nMake Music Sweet for SATB choir and piano (sheet music) is a three-movement work which uses the poetry of James Joyce from his collection Chamber Music. These three movements speak of love and nature\, of cool valleys\, and speaking to the heart. \nMovements II and III are the winner of the Choral Horizons New Music Reading session sponsored by The Singers under the direction of Matthew Culloton as well as Graphite Publishing. The entire set was premiered in February 2010 in Minneapolis by The Singers. In addition there was a performance by The Singers under the direction of Matthew Culloton during the Choral Horizons Reading Session – May 11-12\, 2009 – University of Minnesota\, MN \nThis work is published on Boosey and Hawkes Composers or on Boosey and Hawkes Choral Music Experience: Conductor’s Choice.
URL:https://jennibrandon.com/event/make-music-sweet-by-jenni-brandon-performed-by-the-eastern-kentucky-university-singers-at-the-kentucky-music-educators-association-conference/
LOCATION:Cathedral of the Assumption\, 433 S 5th St\, Louisville\, KY\, 40202\, United States
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DTSTART;TZID=America/Denver:20220209T193000
DTEND;TZID=America/Denver:20220209T213000
DTSTAMP:20220216T174916Z
CREATED:20220216T174916Z
LAST-MODIFIED:20220216T174916Z
UID:14883-1644435000-1644442200@jennibrandon.com
SUMMARY:“Double Helix”\, by Jenni Brandon\, Performed by The Diverse Musician’s Alliance
DESCRIPTION:“Double Helix”\, by Jenni Brandon\, performed by The Diverse Musician’s Alliance (DiMA) at 7:30 p.m. February 9\, 2022\, in the Imig Music Building\, Colorado University (CU)\, College of Music\, Boulder\, Colorado. \nThe Diverse Musicians Alliance\, a student-led branch of the CU LEAD Alliance\, brings awareness to these female composers and their legacies with two concerts (9 and 16 February) featuring all-female programs. To combat the issue of underrepresentation\, DiMA has created an annual concert\, “Persevering Legacy”\, to highlight works by underrepresented female composers. “Persevering Legacy” is an initiative that began in 2018 as an effort to perform works from the Hellen Walker-Hill Collection. \nProgram \nPersevering Legacy \nElevating the voices of women composers \n7:30 p.m.\, Wednesday\, Feb. 9\, 2022 \nColorado University (CU)\, College of Music \nGrusin Music Hall Program \nDouble Helix — Jenni Brandon \nMadison Triplett\, bassoon \nHsiao-Ling Lin\, piano \nÉtude III “en pensant à Bach” — Ida Presti \nIzzy Fincher\, guitar \nRag — Mary Watkins \nGena Rumsey\, clarinet \nYa-Ting Yang\, piano \nMirage — Dorothy Chang \nLogan Banister\, alto saxophone \nCotton Dance — Florence B. Price \nReina Krumvieda\, piano \nEmpty Interlude — Text by Roger Chaney and Andy Razaf \nGabrielle Razafinjatovo\, mezzo-soprano \nGrace Templeton\, piano \nI Grew A Rose — Florence Price \nLJ Hansen\, soprano \nAric Vyhmeister\, piano \nSpiritual Suite — Margaret Bonds \nValley of the Dry Bones \nBritta De Groot\, piano \nQuartet for four violins — Grazina Bacewicz \nAllegretto \nAndante tranquillo \nEli Pouliot\, Olivia Breen\, Logan Indge and Alyssa Byrne\, violins \nSonata for Viola and Piano Libby Larsen \nAndante \nAshley Santore\, viola \nXi Zhang\, piano \nDouble Helix for bassoon and piano (bassoon and piano sheet music) was commissioned in 2014 by bassoonist Christin Schillinger to premiere and perform with Jed Moss on piano. This work is inspired by the sculpture of the same name by Long Beach\, California sculptor Susan Hawkins. This sculpture (pictured on the cover of this score) depicts two separate figures dancing around each other\, weaving their stories together\, but never touching. I loved the idea of using terms that are frequently used to describe dance and began to see the curves and lines and unique topography of these sculptures as fluid and moving. The bassoon and the piano become these two dancers\, gracefully moving across a stage to tell the story of this beautiful sculpture. \nIn “Prelude: Intertwine” the figures dance around each other\, one at first (the piano)\, and then the bassoon joining in\, flowing\, and weaving in and out of each other. As they move into the “Entrechat” you can hear the fast movement of the feet as the dancer leaps from the floor\, crossing and uncrossing the feet in mid-air as represented by the repeated staccato notes throughout this section. After much joyful leaping\, the bassoon and piano take turns with solos in “Divertissement: Gentle Beauty”. Leading into the section “Soar” which begins innocuously enough\, the dancers slowly begin to climb higher and higher\, reaching a climax in this section as the bassoon dazzles with its range and the piano moves deftly from one end of the keyboard to the other. Finally\, in “Postlude (Epilogue)” the original intertwine theme returns\, allowing the dancers to shift and flow gently around each other\, gently shifting back into the still image of the sculpture as the sound fades away. \nIt was a joy to write this work for these talented musicians\, who premiered the work at the Ostin Rehearsal Room on the campus of UCLA on September 21st\, 2015. \nDouble Helix sheet music is available on Jenni’s website at Double Helix – Bassoon and piano sheet music (jennibrandon.com).
URL:https://jennibrandon.com/event/double-helix-by-jenni-brandon-performed-by-the-diverse-musicians-alliance/
LOCATION:Colorado University at Boulder College of Music\, 301 UCB\, Boulder\, CO\, 80309-0301\, United States
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DTSTART;TZID=America/New_York:20220213T133000
DTEND;TZID=America/New_York:20220213T150000
DTSTAMP:20220216T215749Z
CREATED:20220216T215749Z
LAST-MODIFIED:20220216T215749Z
UID:14889-1644759000-1644764400@jennibrandon.com
SUMMARY:Jenni Brandon’s “Shades of Violet” Performance by Rachael Keplin
DESCRIPTION:Jenni Brandon’s “Shades of Violet” performed by Rachael Keplin on February 13\, 2022\, at 1:30 pm at Organ Hall\, a 130-seat performance center\, at University North Carolina School of Music\, Greensboro\, 100 McIver St\, Greensboro\, NC 27412. Ms Keplin is a doctoral student. This is her first doctoral recital. \n“Shades of Violet” for Clarinet in B-flat and Viola (JB 146) explores the complexities of the color violet throughout history as told by the Clarinet and Viola. \nThe title for “Shades of Violet” came about during a phone call with Elizabeth Crawford – clarinet and Katrin Meidell – viola. We were discussing this new work and their ensemble’s name “Violet” and the phrase “shades of violet” was mentioned. I loved this phrase and knew it would inspire the work\, plus pay homage to this new ensemble’s namesake! \nWhen I started to research the color violet\, I found many interesting facts about this color. It is a “true” color in that it has its own set of wavelengths on the spectrum of visible light – between blue and invisible ultraviolet. It also has a lot of other meanings throughout history\, encompassing spiritually\, emotions of love and passion\, and physical manifestations of the color. I wanted to portray these “shades of violet” not just from the color spectrum\, but what it has meant to people symbolically. I made a list of what I found when I researched this color\, and many of these words or phrases that inspired me during the creation of this work appear as descriptions of sections in the score: \nMeditation \nInspiration \nImagination \nPassionate \nUnion of Body and Soul \nOriginal \nUnconditional love \nMental balance and stability \nDelicate \nCrown Chakra \nDignity \nCompassion \nVain \nExtravagance \nFlighty \nIn some ways this work is a love story – two instruments seeking passion\, inspiration\, union\, unconditional love.  We reach this union toward the end of the piece\, represented through the higher registers of both instruments– a push and pull of harmonies and shades of violet that I think represent the complexities of what the color Violet represents. \nIt was an honor to write this work for the inaugural season of Violet.  This work was premiered in February 2018 and appears on Violet’s debut album. \n“Shades of Violet” sheet music is available for purchase at Shades of Violet for Clarinet in B-flat and Viola – Jenni Brandon. \n 
URL:https://jennibrandon.com/event/jenni-brandons-shades-of-violet-performance-by-rachael-keplin/
LOCATION:University of North Carolina Greensboro School of  Music\, 100 McIver St\, Greensboro\, 27412\, United States
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DTSTART;TZID=America/Chicago:20220218T143000
DTEND;TZID=America/Chicago:20220218T153000
DTSTAMP:20220217T203051Z
CREATED:20220217T203051Z
LAST-MODIFIED:20220217T203051Z
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SUMMARY:Kathleen Carter Bell and Conor Bell Perform Jenni Brandon’s Going to the Sun: Snapshots from Glacier National Park
DESCRIPTION:Kathleen Carter Bell\, oboe and Conor Bell\, bassoon perform Jenni Brandon’s  Going to the Sun: Snapshots from Glacier National Park on February 18\, 2022\, from 2:30 pm – 3:30 pm in a College Music Society\, Southern Chapter\, Regional Conference\, Performance Session\, Myths and Mountains in the BPAC Recital Hall\, Delta State University\, Highway 8 West\, Cleveland\, MS 38733. \nThe mission of the College Music Society is to promote music teaching and learning\, musical creativity and expression\, research and dialogue\, and diversity and interdisciplinary interaction. A consortium of college\, conservatory\, university\, and independent musicians and scholars interested in all disciplines of music\, the Society provides leadership and serves as an agent of change by addressing concerns facing music in higher education. \nGoing to the Sun: Snapshots from Glacier National Park for oboe and bassoon explores the beauty of Glacier National Park in Montana. When Jennifer Gookin Cavanaugh approached me about writing a work\, she told me how much she has always loved visiting the park and that it had been a family tradition for many years. Both Jennifer and Elizabeth Ball Crawford\, who premiered this work\, taught at the University of Montana at the time of writing this work. I thought it fitting to write a work that highlighted the performers’ close connection to the area in which they lived. \nAs I began to spend time with hiking books\, topographical maps\, and pictures taken by many visitors to the park over the years\, I knew that a work about a journey through this park would be a great way to share not only Jennifer’s memories\, but also the many travelers on the Going to the Sun Road. Those fifty miles across the park bring the visitor in contact with lakes\, weeping walls\, animals\, meadows\, the Continental Divide\, and the power of the glacier that now moves closer and closer to extinction due to climate change. \nThe work is in one movement; however\, it is broken into several sections. I liked the idea of telling these stories like looking back at snapshots you might take on your vacation to remind you of these natural and manmade wonders: \nEarly morning on the Road \nFifty miles begin… \nSunrise on Lake McDonald \nDriving the Loop \nThe Weeping Wall \nStepping onto Jackson Glacier Overlook \nJackson Glacier \nSunset at the end of The Road \nThe oboe and bassoon are great story-telling instruments\, lending their voices and character to each of these sections\, painting the landscape with texture\, range\, and song.  And while the vastness and beauty of this park is too big to capture in any work of music\, it is my hope that the listener can travel this road with us through this natural wonder and remember the importance of supporting our National Parks.
URL:https://jennibrandon.com/event/kathleen-carter-bell-and-conor-bell-perform-jenni-brandons-going-to-the-sun-snapshots-from-glacier-national-park/
LOCATION:Delta State University\, Highway 8 West\, Cleveland\, MS\, 38733\, United States
ORGANIZER;CN="Southern Chapter College Music Society":MAILTO:cms@music.org
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220224T193000
DTEND;TZID=America/Chicago:20220224T203000
DTSTAMP:20220310T225112Z
CREATED:20220310T225112Z
LAST-MODIFIED:20220310T225112Z
UID:14997-1645731000-1645734600@jennibrandon.com
SUMMARY:Places We Are From\, by Jenni Brandon\, Performed by The Three Reeds Duo
DESCRIPTION:Places We Are From\, by Jenni Brandon\, performed by The Three Reeds Duo at the University of Iowa in the Voxman Music Building Concert Hall – 2101 on February 2\, 2022\, 7:30 PM. The Voxman Music Building is located at 93 East Burlington Street\, Iowa City\, IA 52240. The Three Reeds Duo members are Paul Forsyth\, saxophone and Leah Forsyth\, oboe\, with Casey Dierlam Tse\, piano. \nPROGRAM \nThe Three Reeds Duo  \nLeah Forsyth\, oboe \nPaul Forsyth\, saxophone \nPrograms supported by the Elizabeth M. Stanley Fund for the Performing Arts. \nDouble Soliloquy (2011) Thomas Hundemer (b. 1954) \nfrom the Three Reed Suite  \nPlaces We Are From (2021) Jenni Brandon (b. 1977) \n\n As One \n Journey \nSearching \n With Possibility \n Joy and Hope \n Home\n\nCasey Dierlam Tse\, piano \nSix Metamorphoses after Ovid (1951) Benjamin Britten (1913—1976) \n\n Pan \n Phaeton \nNiobe \n Bacchus \n Narcissus \n Arethusa\n\nGauntlet (2021) Joshua Burel (b. 1985) \nPlaces We Are From\, a new work by Jenni Brandon\, explores the idea of identity and where we come from both geographically\, physically\, and spiritually. This unique exploration is reflected in the make-up of the three different instrumentation options for this work\, using these combinations to tell stories of joy\, hope\, frustration\, and perseverance. The colors and combinations in each version reflect a vision of discovering who we are in unprecedented times and finding happiness in the journey. \nThis work is available in three versions: \n\nOboe\, Bassoon\, Piano\nOboe\, Saxophone\, Piano\nSaxophone\, Bassoon\, Piano\n\nPlaces We Are From was commissioned by lead commissioners Post-Haste Reed Duo (Sean Fredenburg\, Saxophone & Javier Rodriguez\, Bassoon) and the Proud Duo (Teodora Pejašinović Proud – Oboe and Joseph Proud – Saxophone). I am grateful to them as well as the members of the commissioning consortium who helped make this piece possible. \nLead Commissioners\nProud Duo: Teodora Pejašinović Proud – Oboe\, Joseph Proud – Saxophone\nPost-Haste Reed Duo: Sean Fredenburg\, Saxophone & Javier Rodriguez\, Bassoon \nCommissioning Consortium Members \n\nEric Troiano\, Theresa Delaplain\, Tomoko Kashiwagi\nAndrew W. Parker and Midori Samson\, Oklahoma State University Double Reeds\nCarol Cope Lowe\nNathan Koch\, The University of Nebraska-Lincoln\nThree Reeds Duo – Paul & Leah Forsyth\nDarrel Hale and the UNT Bassoon Studio\nJillian Camwell & Dr. Dave Camwell\, Troy University\nBaylor Woodwind Faculty: Dr. Michael Jacobson–Saxophone\,\nAnn Shoemaker –Bassoon\, Dr. Euridice Alvarez–Oboe\nDouglas Owens\, The University of Tennessee at Martin\nCatherine Rand\, The University of Southern Mississippi\n\nThis work is also the recipient of the 2021 International Double Reed Society’s “50 for 50” commissioning grant and the Oboe\, Bassoon\, Piano version was premiered by Teodora Pejašinović Proud – Oboe\, Javier Rodriguez – Bassoon\, and Kevin Chance – Piano during the 2021 International Double Reed Society 2nd Annual Virtual Symposium. \nWorld Premieres of the 3 version: \n\n2021 International Double Reed Society Conference 2nd Virtual Symposium – July 26-31\, 2021. This work is the recipient of the IDRS “50 for 50” commissioning grant in celebration of the organization’s 50th anniversary.\nDora Proud – oboe\, Javier Rodriquez – bassoon\, Kevin Chance – piano\nPerformed by the Proud Duo at The National Association of College Wind and Percussion Instructors (NACWPI) 2021 Conference at the Texas Women’s College in Denton\, TX on Sunday\, October 24\, 2021 at 9:30am CST\nPost-Haste Reed Duo premiered the Soprano Saxophone\, Bassoon\, Piano version at Linfield University on Monday\, November 29\, 2021
URL:https://jennibrandon.com/event/places-we-are-from-by-jenni-brandon-performed-by-the-three-reeds-duo/
LOCATION:University of Iowa\, 93 E. Burlington Street52242\, Iowa City\, IA\, 52242\, United States
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